At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2022 Overall Thoughts Too often this year, my monthly round-ups have been… kind of a … Continue reading
It’s been fascinating to watch Johnny’s & Associates navigate the digital world and decide how they want to engage with it. Older fans can remember a not-too-distant time when official YouTube uploads were the stuff of wild dreams. We still get plenty of (frustrating) short music video edits, but more and more the agency is … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2022 Overall Thoughts Counting up all of July’s releases, I’m not sure we’ve ever had … Continue reading
After last summer’s delightful Hello Hello, Snow Man have returned with their newest summer single Orange Kiss (オレンジkiss), which also serves as the theme to leader Iwamoto’s new movie. I haven’t been shy about my admiration for Snow Man’s music. Their personality and charm enhances every song, but the music is no slouch on its … Continue reading
As I’ve lamented several times already, 9-rated songs have been few and far between this year on the blog. Even many of my “buried treasures” haven’t quite crossed that threshold. I don’t often feature buried treasures for J-pop songs. There’s only so much music I have time to cover, and I know the Bias List … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2022 Overall Thoughts I’m eager to write a super effusive, super excited monthly round-up. Unfortunately, … Continue reading
There’s no group I’m more excited about at the moment than Snow Man. And given their immense popularity in Japan, I’m not alone. Their infectious music and comedic variety presence feel like antidotes to the self-serious approach bogging down many K-pop comebacks. They have an almost cartoon-like appeal (either an asset or drawback depending on … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of J-pop’s most innovative and accomplished producers and composers. HIKARI Years … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2021 Overall Thoughts After spending the past few weeks counting down everything under the sun … Continue reading
As I was looking back at the dramas I’ve watched this year, I realized that many of the ones I stuck with weren’t even from 2021. Overall, my taste continued to veer toward Japanese series. They just feel quirkier (and shorter!). Rather than try to rank dramas that are so different from one another, here’s … Continue reading
My Top J-Pop Songs countdown continues in its expanded format! We’ve got fifty of the best (mostly idol) tracks Japan had to offer, with many great choices relegated to the honorable mentions. Because I don’t write about all of these songs the way I do for K-pop, this is always a fun countdown to compile. … Continue reading
My Top J-Pop Songs countdown continues in its expanded format! We’ve got fifty of the best (mostly idol) tracks Japan had to offer, with many great choices relegated to the honorable mentions. Because I don’t write about all of these songs the way I do for K-pop, this is always a fun countdown to compile. … Continue reading
My Top J-Pop Songs countdown continues in its expanded format! We’ve got fifty of the best (mostly idol) tracks Japan had to offer, with many great choices relegated to the honorable mentions. Because I don’t write about all of these songs the way I do for K-pop, this is always a fun countdown to compile. … Continue reading
Dramas weren’t a big part of my K-pop/J-pop consumption until last year, so I was mostly immune to OST hits. That’s still the case for Korean soundtracks, which don’t often double as promoted title tracks. But in Japan, nearly every single is a tie-in with a drama, anime or commercial. It’s a wonderfully symbiotic relationship, … Continue reading
I’m sure many Bias List readers are like, “Johnny what?!?”, but I’ve decided to branch out this year and offer my thoughts on one of J-pop’s biggest agencies. I mostly want to do this because I think they’ve had a great year worth writing about. As usual, the thoughts are my own and aren’t privy … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2021 Overall Thoughts When it comes to new music, I often mention the “expectations game.” … Continue reading
Since Johnny’s Entertainment (and its related labels) don’t post full music videos online, I usually wait until the physical release of a new single to review it. But unless there’s some extra dance break hidden in the album version, the online video for Snow Man’s new track Evolution seems complete. I can hardly believe it, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2021 Overall Thoughts Well, July was… interesting. And by “interesting,” I mean unimaginably dull. Other … Continue reading
Compared to last year, I’ve been kind of underwhelmed by 2021’s releases from Johnny’s Entertainment so far. One bright spot has been Snow Man, who are quickly becoming one of my favorite acts in the agency. That has more to do with their rag-tag, self-effacing variety appearances than their music, but January’s Grandeur has proven … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2021 Overall Thoughts It’s the start of a new year, and new possibilities when it … Continue reading
The Bias List // K-Pop Reviews & Discussion 