Despite my initial hesitance, &TEAM’s Firework perfected the synth-inflected side of HYBE’s oeuvre. Somehow, that song leveraged the agency’s faceless vocal processing as an asset, tying it to strong hooks and a compelling atmosphere. This success raised the stakes for &TEAM’s first full album, but new single War Cry takes a different approach. Unlike with … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
It feels like &TEAM have promoted recent single Firework more frequently on Korean broadcasts than in their native Japan, making the whole ‘Korean-agency-debuts-Jpop-act’ approach even more nebulous. Thus far, &TEAM’s output has basically been K-pop performed in Japanese — a trend many agencies are attempting to replicate. My thoughts on this aside, Firework is a … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
It seems I’m writing about a HYBE act or a HYBE-adjacent act every other day on this blog. The monolithic company has taken over K-pop and has its sights set on J-pop as well. The resulting music is of mixed quality, but HYBE’s ever-expanding roster of artists have all found success so far. Love them … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2022 Overall Thoughts December is historically a very slow month in K-pop, but every once … Continue reading
Before I count down my top 50 J-pop songs of the year, I thought I’d blast you with a bunch of honorable mentions. J-pop can be notoriously difficult to find if you’re not already an active fan, and I figured readers who share my particular taste in music might appreciate having some extra recommendations. These … Continue reading
HYBE’s first Japanese boy group releases their debut album this week. I wasn’t very impressed with &TEAM’s Under The Skin, though in hindsight I was probably a little hard on it. To me, the song felt too much like reheated leftovers from the agency’s other acts. But, the groovier teasers for Scent Of You seemed … Continue reading
K-pop tropes continue their unrelenting push into the Japanese market with the debut of &TEAM. They’re the latest in this new iteration of the Hallyu Wave, where K-pop agencies localize their sounds with members from the target country. This way, you get the infrastructure and popularity of a label like HYBE, but the group can … Continue reading
The Bias List // K-Pop Reviews & Discussion 