At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2026 Overall Thoughts I really don’t want to be a buzzkill, but now that we’re … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
VAYONN are the second new boy group to emerge from Kin Jaejoong’s iNKODE label, adopting a brighter sound palette than their hip-hop peers KEYVITUP. They teased their debut with the so-so Watta Day last month, and I suspect that song will play better in the context of an album. The bouyant MUAH! is their big … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Kim Jaejoong’s iNKODE label has set itself the ambitious task of debuting two boy groups this year. The already-promoting KEYVITUP are meant to be the hip-hop group while VAYONN are tackling pop. My taste tends to lean in a very pop direction, so I’m curious to see what VAYONN have to offer. Their album is … Continue reading
The Bias List // K-Pop Reviews & Discussion 