WAYF BOYS are one of the new-gen groups I’m increasingly unsure fit within the realm of “K-pop.” Yes, they’re from a Korean agency and yes, their members are Korean/Korean-American/Korean-Canadian, but their music so far has been performed in English and feels targeted to an international audience. As such, the standards with which I approach a … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Just like NewJeans’ soft, lightly experimental sound went on to influence years of girl group releases in their wake, I fear we’re about to see the same with Cortis’s success. Hopefully, this will be more REDRED than Acai, but either way I’m worried this means even less melody/theatricality/singing and shorter songs for K-pop in the … Continue reading
The Bias List // K-Pop Reviews & Discussion 