Before the end-of-year countdowns next month, I like to take a look at many of K-pop’s biggest agencies and see how their year went. Obviously, 2023 is not over yet so any upcoming changes to an agency’s grade will be reflected next year. Following SM Entertainment‘s analysis earlier this week, it’s time to dive into … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
I spend the whole year plucking “buried treasures” from K-pop’s vast slate of albums, and now it’s time for those b-sides to have their own countdown! As usual, some of 2022’s strongest music was never promoted with a glossy video or music show blitz. Over the next two days, I’ll be counting down my forty … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
This feature has gradually shifted from a December to a November tradition, leaving more space for next month’s sprawling end-of-year countdowns. Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2022 went. Following SM Entertainment‘s analysis earlier this week, it’s time to dive … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2022 Overall Thoughts Counting up all of July’s releases, I’m not sure we’ve ever had … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Preceding the release of their newest … Continue reading
With half of its members completing their military service, Winner have found the perfect window to release an album before another inevitable hiatus. When it comes to most groups, military enlistment feels like a huge upheaval of momentum and schedules. But, YG Entertainment makes its fans suffer through lengthy periods between releases anyway, so a … Continue reading
With its members in various states of pre and post military enlistment, Winner is currently in a bubble that’s allowed them to schedule a full-group concert for later this spring. I wonder if they’ll release new music to go along with this milestone? For now, we’ll make do with a solo single from the group’s … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
With half of Winner currently enlisted, Kang Seungyoon and Mino have each delivered a full album this year. In Mino’s case, To Infinity is his third full-length, making him a prolific soloist. I haven’t connected with much of his music, despite enjoying a lot of his solo tracks on Winner albums. New comeback TANG!♡ (탕!♡) … Continue reading
It’s not quite December yet, but I’m going to kick off this annual feature a little early this year! Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2021 went. Next up is YG Entertainment. As usual, the thoughts are my own and … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2021 Overall Thoughts I’ve heard whispers around social media lamenting that 2021 has been a … Continue reading
Even before the formation of Winner, I longed for a Kang Seung Yoon album. His early solo songs – Wild & Young, Stealer, It Rains – hinted at a gutsy rocker. And paired with some of YG’s best in-house talent, the music itself was fantastic. So, I was kind of disappointed when Seung Yoon was … Continue reading
After taking a look at SM Entertainment‘s 2020 progress, it’s now time for YG Entertainment to take the spotlight. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like profits and stock value. The purpose of these articles is to determine how well K-pop … Continue reading
Mino made his official solo debut back in 2018, though he’s been releasing solo music since Winner’s debut in 2014. I still consider his I’m Him an underrated gem. But overall, he and I are on two different planets, musically. I appreciated the ambition and creativity of 2018’s Fiancé, but didn’t have much urge to … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! August … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! July … Continue reading
The Bias List // K-Pop Reviews & Discussion 