At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2017 Overall Thoughts 2017 continues to fall behind when compared to last year. Though it was easy … Continue reading
Lately, YG artists have taken to releasing nearly every new track as a single, complete with music video and extended promotion. As with anything, this strategy is a double-edged sword. It’s exciting to have a visual complement to each piece of music, even if the project’s hefty budgetary requirements may limit the amount of material that … Continue reading
Of all the acts that have been screwed over by YG Entertainment‘s unreliable release schedule, none has had to put up with more than Winner. First there was the nearly two year wait between their debut and follow-up, and then came last year’s botched EXIT project (they never made it past “E,” regrettably). Though the group has … Continue reading
In k-pop, music videos are nearly as important as the songs themselves. It’s become such a visual genre, regularly churning out glossy videos that look much more expensive than they are. Without focusing too much on the actual song (though it’s impossible to fully separate the two), here were the top ten visual moments of … Continue reading
The end of the year countdowns are here! We’re starting things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. Unlike last year, j-pop releases will be placed in their own countdown, … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
As part of their official sub-unit debut, Winner’s Mino and iKON’s Bobby have released double title tracks that each show off very different charms. After being thrilled with the upbeat exuberance of Hit Me, Full House (붐벼) brings the guys back to a lurching, stereotypical exercise in what apparently makes hip-hop cool. But here’s the problem: … Continue reading
