At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Over the past few months, H Music Entertainment has attempted to revitalize interest in its groups WOOAH and DXMON through a series of digital releases, but rather than put all their might behind one great comeback they’re farting out these low-budget, amateurish tracks that won’t successfully accomplish their goals. I’m naturally biased toward summer-themed K-pop, … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Weeks after labelmates DXMON made a surprise return, H Music Entertainment’s “get our artists out of the dungeon” series continues with a new song from girl group WOOAH. The group rebranded in 2024 but haven’t released anything since then. The rock-tinged WXW (Wish With W) tries its best to get things back on track. I … Continue reading
woo!ah! have removed the exclamation points from their name and opted for an ultra-trendy ALL CAPS stylization for promotions going forward. Along with this nomenclatural reinvention comes a new sound. April’s Blush saw them attempting a subdued NewJeans/ILLIT sound to middling effect, but Pom Pom Pom flips things 180 degrees with punk rock attitude and … Continue reading
The Bias List // K-Pop Reviews & Discussion 