With over 4,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Tag Archives: xia junsu
2022 in K-POP so far: Risers & Fallers
We’ll take a brief hiatus from the usual Sunday Open Discussion post today because my annual “Risers and Fallers” feature always spurs conversation. Every July, I like to take a look at which songs have either grown or sunk on my own playlist. With years of reviewing under my belt and a pretty solid understanding … Continue reading
The Top Three K-Pop Songs of March 2022
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2022 Overall Thoughts I’m eager to write a super effusive, super excited monthly round-up. Unfortunately, … Continue reading
Song Review: Xia (Kim Junsu) – Hana
A Xia Junsu comeback is always cause for celebration. No matter what genre he tackles, Junsu’s captivating presence and commanding vocals demand attention. Last we heard from him, he indulged his dance pop side with 2020’s excellent Pit A Pat. With new single Hana (하나), he’s embraced “tropical” moombahton sounds – despite that genre no … Continue reading
Battle of the B-Sides: PSY, Elris, LOUD, Dreamcatcher, Xia Junsu
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Battle of the B-Sides: Xia Junsu, Mamamoo, TO1, B1A4, iKON
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
The Top 50 K-Pop Songs of 2015 (Day Three: 30-21)
This week, we’re journeying back half a decade to look at K-pop’s best releases of 2015! 2015 was a prime year for K-pop. It saw the return of industry royalty, as Bigbang blitzed the market with no less than seven singles. It acted as the launchpad for many of today’s top acts (Twice, Seventeen, GFriend, … Continue reading
The Top 50 K-Pop Songs of 2020 (Day Three: 30-21)
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs … Continue reading
The Top Three K-Pop Songs of November 2020
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2020 Overall Thoughts November was absolutely packed with releases, and though only one title track … Continue reading
Song Review: Xia (Kim Junsu) – Pit A Pat
Kim Junsu has always been one of those indispensable K-pop vocalists. There’s no one else quite like him, and just hearing his voice hearkens back to earlier eras. His last album was released all the way back in the spring of 2016, promoted by the excellent, underrated Rock The World. Now, after four years and … Continue reading
Looking Back: The Top Three K-Pop Songs of July 2013
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! July … Continue reading
Looking Back: The Top Three K-Pop Songs of May 2012
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! May … Continue reading
Looking Back: The Top Three K-Pop Songs of March 2015
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
The Top 50 K-Pop Songs of 2012 (Day Two: 40-31)
It’s time to flash back seven years to 2012, an era of huge choruses, thumping dance beats and an endless supply of sci-fi influenced music videos. 2012’s charms were endless, but here are fifty of the absolute best singles. To be eligible for this top fifty list, songs must have had a Korean release as … Continue reading
The Top Ten Best Songs by XIA JUNSU
Since terminating his contract with TVXQ, Xia Junsu has been active as part of trio JYJ and as a solo artist. Though he might be more well known for the dozens of ornate, theatrical ballads that make up the bulk of his discography, his music is also not afraid to go full avant garde. A … Continue reading
Top Three K-Pop Songs of May 2016
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
Song Review: Xia Junsu – Rock The World (ft. The Quiett & Automatic)
Since going solo, Xia has almost always come back with an edgy, ambitious title track that redefines the boundaries of what kpop can be. But time after time, I find myself wishing that this experimentation carried through the entire running time of his accompanying albums. As crazy-good a dancer as he is, it feels like … Continue reading