When K-pop groups announce a disbandment or hiatus, that usually means a quick end to activities and – more often than not – diminishing returns when it comes to solo work. However, GOT7 have remained quite active after leaving JYP Entertainment in 2021. Its members have all been busy with music and other projects, and … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2021 Overall Thoughts When I averaged all my song ratings of October, I was surprised … Continue reading
2021 continues to be the year of GOT7 solos. I’m surprised how quickly they’ve rolled these out, with four of the seven members releasing new music within the last six months. Main vocal Youngjae has released solo work before, but Colors From Ars is his first mini album and represents his official debut as a … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2019 Overall Thoughts Well, friends, we have finally climbed out of the murk! October was … Continue reading
Back in 2012, K-pop found itself lodged within an EDM trend. But, it didn’t sound like today’s EDM, where stop/start structures and instrumental drops abound. This particular trend tethered huge choruses to the euphoric beats of club music, resulting in many classic comebacks. Some of you are probably going to call me basic or stuck … Continue reading
The Bias List // K-Pop Reviews & Discussion 