Ryuji Imaichi, from Exile Tribe’s Sandaime J Soul Brothers, has a flourishing solo career that’s largely passed me by. Depending on the song, I either love the unique tone of his voice or find it quite piercing. But when I stumbled upon the futuristic cover of his new mini album Chaos City, I knew I … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
As part of my “Top 100 K-pop Songs of All-Time” countdown, I took the effort to dive deeply into my top ten picks and break them down moment by moment. But, there are plenty of other songs that deserve this same treatment. So, The Bias List proudly presents an in-depth feature: “Breaking Down the K-pop … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Well, what do we have here? Honest-to-goodness new music during the month of July?? Will wonders never cease! Actually, our long musical drought will soon come to an end as AKMU ushers in a K-pop deluge with their collaboration album next week. Apparently, all of its songs will be given some form of music video, … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Compared to last year, I’ve been kind of underwhelmed by 2021’s releases from Johnny’s Entertainment so far. One bright spot has been Snow Man, who are quickly becoming one of my favorite acts in the agency. That has more to do with their rag-tag, self-effacing variety appearances than their music, but January’s Grandeur has proven … Continue reading
I first launched my “top ten songs” feature at the beginning of 2016, right as The Bias List was getting off the ground. Because of this, many of the lists created that year are in desperate need of revision. New material has been released since then, and my opinion has changed on older songs. With … Continue reading
Over the past three weeks, we’ve been voting on a series of K-pop summer songs. Throughout the match-ups, we’ve seen titans fall and underdogs rise. It all culminated in yesterday’s final battle, where SHINee’s View went up against Golden Child’s Let Me. So… which track won? Well, the Goldenness have descended. I guess I shouldn’t … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
This week, we’re journeying back half a decade to look at K-pop’s best releases of 2015! 2015 was a prime year for K-pop. It saw the return of industry royalty, as Bigbang blitzed the market with no less than seven singles. It acted as the launchpad for many of today’s top acts (Twice, Seventeen, GFriend, … Continue reading
Congratulations to Golden Child’s Let Me! As expected, yesterday’s match-up against ATEEZ was a tight one. Both fan bases came out, but Golden Child squeaked by with 54.3% of the vote. And with that, we have our finalists! This is the big one, folks! Today, we’ll decide on The Bias List‘s inaugural Ultimate K-pop Summer … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
This week, we’re journeying back half a decade to look at K-pop’s best releases of 2015! 2015 was a prime year for K-pop. It saw the return of industry royalty, as Bigbang blitzed the market with no less than seven singles. It acted as the launchpad for many of today’s top acts (Twice, Seventeen, GFriend, … Continue reading
Congratulations to SHINee’s View! We have our first finalist, as the song garnered a huge 69.1% of the vote. We’ve got one more match-up before that final battle, and today we’ll decide SHINee’s opponent. Will it be ATEEZ’s Wave or Golden Child’s Let Me? I honestly have no idea. Both tracks have done well in … Continue reading
