Over the years, perfectly-scored, 10/10 songs have developed a sort of mythical status on The Bias List. I didn’t intend for this to be the case, but my hesitance to give full marks on release day has resulted in the concept of a “legendary song.” Last year, I inaugurated a handful of songs into this … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! Other Recaps: Episode One // Episode Two // Episode Three // Episode Four // Episode Five THE PRELUDE We’ve already reached the eve of Kingdom‘s final round. And to celebrate, the show is going to pause for a… sports day. Ironically, as much as … Continue reading
Some of my favorite Korean dramas are set within the music industry. And, given K-pop’s natural proximity to K-drama, I’m surprised we don’t see more of these crossover projects. The last one I remember was 2018’s Top Management, which spawned the fictional idol group S.O.U.L. That was such a fun series, and Get Myself With … Continue reading
After an explosion of popularity in the mid 2010’s, powerhouse vocalist Ailee has settled into once-a-year comebacks that highlight her strengths as both a balladeer and a dance artist. Even so, the newer material often lacks the spark that made past hits like U&I and Don’t Touch Me so addictive. Make Up Your Mind is … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
Despite their huge boost in popularity, I haven’t yet had an excuse to write about Brave Girls this year. To put it briefly, I’m thrilled for the girls. Rollin’ was a total jam back in 2017, and more than deserves its delayed recognition. It just goes to show how many amazing K-pop songs fly under … Continue reading
Exile Tribe’s Battle of Tokyo series continues with its second installment. This mix of animation and live-action has been quite cool so far, and I’m eager to see the rest of the series. Call of Justice finds personal favorite The Rampage joining the fray, bolstered by their familiar rock-meets-rap style. It’s an exciting jolt of … Continue reading
Super Junior’s Yesung pre-released the emotional ballad Phantom Pain a little over a week ago, and as part of that review I expressed my hope for more upbeat material in the future. I suppose Beautiful Night is as good as we’re going to get when it comes to increased energy. Like his bandmate Kyuhyun, Yesung … Continue reading
Though they’re short two original members, Highlight have become one of K-pop’s longest-running groups thanks to a rebranding and revitalization in 2017. Perhaps unsurprisingly, their new single Not The End (불어온다) seems to spring directly from that year’s musical trends, feeling like an outtake from their earlier work rather than a new push forward. Highlight … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! April … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2021 Overall Thoughts 2021 continues to be a strong year for K-pop. When it comes … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! Other Recaps: Episode One // Episode Two // Episode Three // Episode Four ROUND TWO: MY FINAL RANKINGS One thing I’ll say for Kingdom is that it wastes no time getting started. Unlike the Produce 101 franchise, this series doesn’t spend endless minutes on … Continue reading
When it comes to J-pop, I prefer to wait until music videos have been released before writing about the song. There’s an mv on the horizon for Fantastics’ Stop For Nothing, but it’s unclear when it will materialize. And, the song is too awesome to delay. Teasers have become such a big part of modern … Continue reading
Just over two months since his last single, Nissy is back with Say Yes. And with a music video that carries on the story of February’s Get You Back, he seems to be crafting a connected universe of songs. I wouldn’t be surprised if we heard from him again two months from now. This regularity … Continue reading
The more distance from 2019, the more ITZY’s debut year feels like a watershed moment in K-pop. Their triple punch of Dalla Dalla, ICY and Wannabe has proven even more influential than expected, developing a sound and attitude that has dominated both the charts and the tastes of many fans. So, my initial question after … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I love how ONF’s concept has … Continue reading
(G)I-DLE’s Last Dance is the latest single to be released via the Universe app, a frustrating approach where a song’s full music video is only viewable within the app itself. Despite gathering some big-name talent for these tie-ins, I still have no clue what the Universe app actually is, and have little desire in researching … Continue reading
It’s debut day for girl group Hot Issue, who join many of their peers as the latest attitude-infused act with a penchant for onomatopoeia chants and aggressive percussion. With the global success of groups like BLACKPINK and ITZY, this template has become a go-to style during this era in K-pop. Unfortunately, its brash energy is … Continue reading
It’s difficult to follow a song as excellent and beloved as Beautiful Beautiful, especially when it exists within the same concept and storyline. But, ONF are supported by the necessary firepower. Ugly Dance is again composed by Monotree’s Hwang Hyun, who may as well be the group’s seventh member given the importance of his musical … Continue reading
