Song Review: Bullet Train (Choutokkyuu) – Stand Up

It’s been quite some time since I’ve written about a new Bullet Train track. To be honest, their music just hasn’t been the same since vocalist Koichi left. That’s no dig on the group’s remaining vocal Takashi, who has really kept their sound afloat. But, there’s just so much more you can do with two vocalists that you can’t replicate with one. With this in mind, new single Stand Up is smart to get the group’s dancers involved in its goofy hip-hop verses.

Like much of their music over the past year, Stand Up is a big, energetic burst of pop. I’m enamored with the instrumental, which is built upon bright stabs of synth, percolating percussion and a funky bassline. It’s got great heft to it, delivering a punchy groove that feels perfect for the spring and summer seasons. I could do without the unnecessary dubstep breakdown, but at least it’s not another moody trap-rap momentum killer! On the other hand, I could listen to the track’s last thirty seconds forever. That retro electro squiggle is a thing of beauty.

Rap has been a relatively rare facet of Bullet Train’s music, but I think it’s a great idea to bring the group’s dancers into the mix during the song’s verses. It adds needed vocal diversity and gives poor Takashi a rest, even if a large part of the charm is probably lost on those who don’t speak Japanese. Still, it’s so refreshing to hear this kind of upbeat hip-hop, perched on an unrelenting pop beat that doesn’t take itself too seriously. Stand Up’s chorus is also well-matched to the track, powerful and rhythmic and instantly memorable. As usual, the guys are clearly having a blast here. It’s hard not to feed off of that energy.

 Hooks 8
 Production 9
 Longevity 8
 Bias 9

Be sure to add your own rating by participating in the poll below!

4 thoughts on “Song Review: Bullet Train (Choutokkyuu) – Stand Up

    • I watched Bibi back when she was on The Fan, and admired her charisma. But, unlike most listeners, I’ve never been a big fan of her voice. She’s got this very westernized, affected way of singing. I don’t know if that makes sense… it’s just this same tone that so many female soloists have adopted over the past few years and it doesn’t feel authentic or exciting to me. But, that’s just my opinion of course!


      • No problem… I just wanted to hear your thoughts on her because she has some great songs and I didn’t like this one & was waiting for the review but you didn’t I just asked.
        Thank you ❤


  1. Relentlessly optimistic. This is one of the few songs that layers in stealth bits and bobs of different styles and eras, and yet doesn’t feel forced or contrived. Those last 30sec are all 80’s inspired to me (but the horns would have been real).


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