I can’t believe it’s been over a year since Jeong Sewoon’s last comeback! He’s been a reliable purveyor of gentle – often upbeat – pop music since his 2017 debut. He’s also the latest in a long string of Starship Entertainment acts to promote this year. Seriously, that agency has their act together. In the … Continue reading
After a less-than-stellar debut, rookies Ciipher rebounded big time with last year’s excellent Blind. That song’s composition had member participation, which seems indispensable for this group. Judging from the highlight medley of their newest album, the strongest-sounding songs are the ones where the guys themselves are most involved. Self-composition isn’t a skill to be taken … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
I want to be very clear with you, Woollim Entertainment. When I mentally scream into the void about wanting another Golden Child comeback, this is not what I mean. If you’re going to give us another Rata-Tat-Tat, you might as well just keep it. I do not recognize Golcha in this song. None of their … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TXT have already broken sales records … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
Back when TXT debuted with the excellent Crown, it seemed they had years of bright, bubbly pop ahead of then. Instead, the group quickly veered into more combative territory. Their first comeback enhanced the rock angst and – apart from one disco-infused “minisode” in 2020 – they’ve stayed pretty faithful to that template. This paid … Continue reading
It’s Sunday, which means it’s time to end the week with an open discussion post! To keep things civil, there are a few rules: Be kind and respectful to one another. Any harassing language will be deleted. This is not a place to state what you don’t like about me and/or my blog. Move elsewhere, … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I wouldn’t call Woodz’s new album … Continue reading
Every since they released Born To Be Wild last year, JO1 have been on my radar in a different way. Now that I know what they’re capable of, my ears are ready for more. And though nothing else has lived up to that high water mark quite yet, I’ve enjoyed becoming more familiar with the … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! EPISODE ONE RECAP // EPISODE TWO RECAP // EPISODE THREE RECAP // EPISODE FOUR RECAP // EPISODE FIVE RECAP Before we get into the main content, this episode kicks off with a cute (but completely skippable) vote on popularity categories (ie: best visual, etc). … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I wish LE SSERAFIM’s debut mini … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
Is it just me, or has 2022 been stuffed with K-pop debuts? They just keep coming, making me wonder if there’s a breaking point in this industry. Eventually, there just can’t be enough audience to support all these acts, right? Like many 2022 debuts, CLASS:y emerge with built-in recognition. They formed as a result of … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
With each new album, Woodz has leaned harder into rock music. It seems to be a burgeoning trend in K-pop, and he’s uniquely positioned to seize upon it. His gritty, expressive vocal practically begs for equally-passionate guitar riffs, and his natural swagger sells the rock attitude – a vital component to make this genre feel … Continue reading
The Bias List // K-Pop Reviews & Discussion 