Upon the release of LE SSERAFIM’s most recent album, the track Eve, Psyche & The Bluebeard’s Wife seemed to spark a lot of online discussion. So, I’m not surprised it’s been given a music video and follow-up promotions. While Unforgiven attacks with its central catchphrase, Eve maintains the stylish — almost monotone — air of … Continue reading
I don’t always cover new Jay Park music on the blog, but Candy offers the kind of funk-pop sound I tend to be interested in. It also pairs him with vocalist Zion.T — a name we don’t hear all that often anymore. They make a powerful duo, even if Candy sets its ambitions relatively low. … Continue reading
Though KARD are quite successful in various parts of the world, they’ve expressed a desire to cement their fanbase in Korea. As one of the industry’s only co-ed groups, they seem perfectly poised to fill a gap in the market. But after the many high points of their initial rollout, I’ve struggled to connect with … Continue reading
2022 delivered a host of newly-debuted girl groups, and this year seems poised to do the same for boy groups. One of 2023’s most anticipated debuts is BOYNEXTDOOR — the first idol act under Zico’s KOZ Entertainment, with the backing of K-pop overlords HYBE. Their upcoming single album promises three promoted tracks, and today we … Continue reading
While it might not be fair or realistic, I’ll always compare idol-rappers-turned-soloists to Bigbang’s G-Dragon. That’s a product of my age, but it’s also testament to how compelling and genre-blending GD’s work was. He wrote the template, and you can feel his influence all over songs like Joohoney’s debut solo single Freedom. At the risk … Continue reading
After a promising April, the K-pop industry has me back in the doldrums. Too many songs are feeling disposable these days — catchy and stylish but lacking the indelible melodies and striking centerpieces that forge a long-enduring classic. “Fast fashion” has never felt so apt a descriptor for the industry, and ENHYPEN’s new Bite Me … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
Wow, it’s been a long time since I’ve written about Blackswan! This group has suffered more member changes than I can count, and the current line-up is another refresh from their 2021 configuration. Only leader Fatou remains. This constant change makes it difficult to feel any kinship toward Blackswan. You don’t want to get too … Continue reading
ATBO are one of a few newer boy groups whose music feels interchangeable to me. They’ve delivered one unique highlight, but their ever-changing sound is very much “Boy Group 101.” It’s as if their singles discography is a collection of songs from the concept round of an audition show. They could be performed by anyone. … Continue reading
Last week, I called Avu-chan’s Year 0, Class 0 the best audition show I’d ever seen. That feeling has only intensified with time. And, it’s bolstered my interest in Ryugujo — the group formed through the series. They’re a self-proclaimed “alternative” act, which essentially means their music has a unique perspective and sound. Both songs … Continue reading
After a super-strong pre-debut single, I’ve struggled to connect with anything else rookie group YOUNITE has released. Like so many current boy groups, their music so far feels like a lukewarm blend of tropes and trends without memorable songwriting to back it up. New single Waterfall hearkens back to the lighter sound palette of their … Continue reading
Even before Lovelyz went on hiatus, Lee Mijoo began to develop a side career as a colorful variety star. She’s seemed ready for solo stardom for awhile, and that day has finally come with the release of Movie Star. Movie Star plays things straighter than some might have expected, delivering a thumping electro track with … Continue reading
I was pleased to see VERIVERY find such big success with a bright, upbeat pop track last year. Not every boy group has to posture and pose like a villain to sell albums, and Tap Tap felt like the start of a new era for the guys. Crazy Like That takes a slight sidestep, delivering … Continue reading
I’ve been a bit confused by Travis Japan’s rollout so far, but that’s coming from a longtime Johnny’s fan who’s used to physical singles and albums. Digital music is the norm most markets, but this approach means the group only has two released songs to their name — even though they debuted all the way … Continue reading
When you think about it, HYBE’s embrace of the ever-growing AI market feels inevitable. I expect this to be a huge facet of K-pop as time goes on. Before writing about MIDNATT, let me tell you how I’ve been using AI over the past seven months. Last November, I discovered the Whisper AI model, which … Continue reading
I’ve been jokingly referring to newly-debuted group The Wind as “BFriend,” and I have a feeling that moniker is going to stick. So far, their music is a note-perfect re-creation of GFriend’s debut year. This alone scores them massive points from me. How refreshing to hear a new boy group do something totally different from … Continue reading
After dropping their pre-release Allergy last week, (G)I-DLE are back with their newest title track Queencard (퀸카). These two songs are linked thematically, but their overall sound is also consistent. The group has built upon the success of last year’s Tomboy, taking rock elements and giving them a fashionable K-pop sheen. This works well when … Continue reading
Thus far, there’s been a big disconnect between how much I like INI as a group and how much I enjoy the music they’re given. My favorite songs tend to be one-off projects or b-sides, while most of their singles have landed with a thud. But, the universe has finally aligned with Fanfare. It’s not … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
The Bias List // K-Pop Reviews & Discussion 