If I had a time machine, I’d go back to 2016 and tell myself that – in seven years – I’d be writing the words “& Jonas Brothers” in the title of a blog post on The Bias List. It’s been quite a journey, my friends. Who would have ever thought we’d end up here? … Continue reading
NewJeans kicked off the day with the release of an eponymous introduction track for their upcoming album. That Powerpuff Girls collab was mood-setting but ephemeral. It fully embraced the group’s stylized worldview. NewJeans are nothing if not cool. Sometimes, I think “cool” is put at a higher premium than anything else. I understand why this … Continue reading
Queenz Eye debuted late last year with a song I never covered on the blog. Now, they’ve returned with their first comeback and a new sound. Un-Normal feels decidedly normal to me — especially given current K-pop girl group trends. It’s the latest in a long line of groovy, mid-tempo pop/r&b jams. The other day, … Continue reading
After several years listening almost exclusively to K-pop, I’m in a fun space where my playlist is open to any music from any country. This brings added focus to global pop, which I feature on the blog each month. And now that global pop has its own year-end countdown on the blog, I thought I’d … Continue reading
With so many pre-releases, it feels like Kiss Of Life have already debuted several times over. But Shhh (쉿) is the big one — the song they’ll be performing and promoting and ultimately be remembered for. As such, it falls somewhere toward the bottom half of their burgeoning discography. It may have been naïve of … Continue reading
I’m pretty obsessed with this list of singles and albums. I’ve been a J-pop fan for almost a decade now, but this year I’ve made a concerted effort to really dive deeply into the industry. Part of this initiative includes weekly J-pop round-ups that are posted every Sunday on this blog. My efforts have been … Continue reading
Mere days after SHINee and U-KISS released new material, Teen Top are the latest second-gen group to join K-pop’s summer line-up. I’m not sure what a “hweek” is, but I’ll gladly take any kind of hweek that results in all my old favorites returning to the industry! HWEEK (휙) feels like a companion to U-KISS’s … Continue reading
There will be no summer barbeques or afternoons at the beach for Jun’s Psycho. This song spends its time in a windowless room, chains and restraints attached to the walls. Summer fare this is not. Jun has recorded solo material before, most recently with last year’s Limbo. Psycho follows a similar vibe, though it’s more … Continue reading
To be honest, there haven’t been many K-pop albums in 2023 that I’ve played more than a couple times through. Similar to my singles list yesterday, nearly all of these picks come with some qualifiers. However, there are a more than a few gems to uncover. *As usual, albums must have at least four full … Continue reading
Unlike every Johnnys group before them, Travis Japan’s debut year has been characterized by a stream of digital single releases. This is much more in line with Western pop roll-outs, and gives the group a chance to quickly display the various sides to their music. Luckily, Travis Japan’s singles keep getting stronger. Candy Kiss is … Continue reading
For the second day in a row, JYP Entertainment has dropped a pre-release for one of its groups. This time it’s NMIXX, who are due to make a summer comeback next week. Roller Coaster is one of two new tracks, and jettisons their “mixx pop” sound in favor of subdued dance music that’s much more … Continue reading
When it comes to music videos, JYP Entertainment reminds me of that famous Oprah meme: “You get a car! And YOU get a car! AND YOU GET A CAR!” The agency has become very generous when it comes to promotion, pairing so many of its artists’ b-sides and pre-releases with full music videos. On the … Continue reading
I’m heartened by the fact that only two (!) of my top ten singles of 2022 were released before the month of July. That’s a pretty striking figure, and one I can easily see replicating this year. It’s no secret that I’ve been underwhelmed by the first six months of 2023. It’s not that K-pop … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. U-KISS’s fifteenth anniversary album is slavishly … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I like Sung Kyu’s Small Talk … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2023 Overall Thoughts In the coming days, I’ll be sharing my top picks from the … Continue reading
1. Hard // 2. Juice // 3. 10X // 4. Satellite // 5. Identity // 6. The Feeling // 7. Like It // 8. Sweet Misery // 9. Insomnia // 10. Gravity GRAVITY Ah, the pensive album-closer. K-pop loves a pensive album closer. Here’s the deal: Whenever I see the title of this song, my … Continue reading
1. Hard // 2. Juice // 3. 10X // 4. Satellite // 5. Identity // 6. The Feeling // 7. Like It // 8. Sweet Misery // 9. Insomnia // 10. Gravity INSOMNIA Hard concludes with two slower, moodier tracks. In my mind, Insomnia (불면증) is the stronger of the two. After a suite of … Continue reading
XG are an interesting prospect. Managed by legendary J-pop company Avex, they’re finding much more success outside their home country than within. This seems to be by design, as they perform in English and target many K-pop venues and audiences. I haven’t seen them appear on any of Japan’s numerous music shows, but they’ll be … Continue reading
