Hwasa scored a mega hit last fall with Good Goodbye — a song that took a moment to top the charts but didn’t relinquish its place once it got there. That success was a welcome surprise. I didn’t care much about the song itself, but I’ve always liked Hwasa. Time will tell if those good … Continue reading
I find it difficult to be a consistent fan of groups formed through the Produce/Planet series of survival shows. No matter how much I might like the members, the music often functions as an expanded version of the series’ concept missions. Groups don’t develop a signature sound, meaning one month they may release the best … Continue reading
After many, many years, T.O.P finally released his full debut solo album last week. Listening through, it’s the kind of work I admire even if I don’t personally enjoy. He’s always had an idiosyncratic approach to hip-hop that I believe works better in small doses as part of a larger group. However, fans of his … Continue reading
Bands have become all the rage in K-pop this year and today we have the debut of yet another one. hrtz.wav come from Mnet’s survival series Steal Heart Club, guaranteeing a certain level of promotion from one of the industry’s leading forces. I didn’t watch the series, but certainly noted the band’s masked drummer hagiwa. … Continue reading
New group KEYVITUP must be so impressed by their silly name that they made it the title of their debut track as well. There’s power in repetition, and getting your name out to listeners is important. Their pre-debut Best One hinted at strong vocals, but (the song) KEYVITUP mostly jettisons that charm for familiar 90s … Continue reading
AMPERS&ONE have an identity crisis. Each time they return with new music, it’s like hearing a completely different group. This makes them a tricky prospect to follow and enjoy. Their catalog is so hit and miss and there’s no overriding concept tying the music together. I’ve liked them best when they go straight for the … Continue reading
Since releasing the very good Love Attack in 2024, RESCENE have become a paragon of the trendy “subdued” girl group sound. I’m not sure why their producers decided not to return to Attack‘s upbeat appeal, and for me their musical trajectory has really stalled. New single Runaway doesn’t do much to change that track, though … Continue reading
The campaign for BTS’s ARIRANG album continues unabated with the release of another music video. This time, Hooligan gets its time in the spotlight. This track was promoted with dance challenges even before the debut of its video, making it feel like a co-lead track with Swim. For those looking to recapture the boisterous energy … Continue reading
Super Junior remains one of the most active groups of their stature, routinely releasing new music as a collective and as soloists. Today, Donghae is back with a new album of his own, collaborating with Jay Park and 1iL for its title track Good Day. As its title suggests, this is an upbeat, sunny stomper … Continue reading
After leaving YG Entertainment, AKMU are back with a new agency and a new album. Global fans may wonder what all the fuss is about, but this brother-sister duo is absolutely huge in Korea. They’re also an act I’ve followed since their conception, watching them grow to fame on the second season of K-pop Star … Continue reading
After exploring various sub-genres of hip-hop (my favorite being 90s G-funk), Young Posse have turned their attention toward a sound closer to hyperpop. This resulted in the utterly awful Visa earlier this year, but they’ve managed some refinement since then. New single We Don’t Go To Bed Tonight is much more palatable. There’s a great … Continue reading
WJSN’s Dayoung had a stealthy, surprise hit last year with Body. That success didn’t coax Starship Entertainment into doing anything but the bare minimum for the group’s anniversary this February, but it does result in a new solo track today. What’s A Girl To Do takes a similarly global approach as Body, no doubt hoping … Continue reading
Kiss Of Life have been teasing a comeback for some time now, no doubt hoping to recapture the buzz of their early work before a large chunk of the K-pop fandom turned on them. With new single Who Is She, they’re smart to return to some of the 2000s sounds that first brought them to … Continue reading
One thing about JYP groups is that they’re always going to be very prolific. KickFlip debuted just over a year ago and are already on their fourth mini album. That frequency and consistency has quickly built a catalog of music that feels unique to them. I’m loving their youthful pop/rock sound and am happy that … Continue reading
It’s been ages since I’ve written about a song from a Chinese artist with no connection to K-pop, but we’re in the doldrums right now on this blog and I think everyone deserves to read a review that’s actually enthusiastic. So, today I want to introduce the new single from Lil Ghost — rapper and … Continue reading
Though they haven’t achieved the same global notoriety as some of their peers, Monsta X have been steadily plugging away at the American market, releasing their fair share of English-language material. Today, they’re out with a new album of this material. Of course, appealing to a market outside of your own often includes conforming to … Continue reading
T.O.P made his solo debut all the way back in 2010 as part of a dual project with fellow Bigbang member G-Dragon. Since then, he’s hardly released any solo music and eventually wound up leaving the group altogether to focus on acting. Given this, it’s a bit surprising that — sixteen years later — he’s … Continue reading
The ladies from KARD have each made their solo debut this year. Gun to my head, I couldn’t tell you anything about Jiwoo’s solo track despite writing about it back in February. This is partially due to the fact that she never promoted it on music shows, but the song clearly didn’t do much to … Continue reading
As expected, BTS have begun to release follow-up videos from their highly-anticipated ARIRANG album. Many listeners found lead single Swim an oddly muted choice for promotion, and I agree that there are songs on ARIRANG with more commercial appeal. However, for their first follow-up video they’ve chosen one of my least favorite tracks from the … Continue reading
Since leaving Cube Entertainment, Pentagon’s Kino has embarked on a solo career filled with quirky electropop and interesting ideas. I enjoyed his last EP quite a bit and new title track Taxi builds upon that sonic foundation while adding a generous sprinkle of 80s synth and occasional bursts of rock intensity. So many acts are … Continue reading
The Bias List // K-Pop Reviews & Discussion 