A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TVXQ just released their best song … Continue reading
NCT’s Doyoung debuted as a soloist earlier this year with a full album. Now, he’s capping off 2024 with the release of new digital single The Story (시리도록 눈부신). Rather than reinvent the wheel, the song sounds like an extension of his previous work, drawing upon his rich vocal for an uplifting ballad. The Story … Continue reading
I’ll confess this right at the top: despite enjoying Yesung quite a bit as a performer, I nearly didn’t listen to this new solo track at all. My bias (and his musical history) had me expecting a specific type of ballad that just isn’t my thing. I very rarely have much to write about these … Continue reading
I feel like I must open every new DAY6-related review by mentioning just how well the group has done this year. It’s insane to see so many of their singles running up the charts — both old and new. Korea is clearly in love with their sound, more than any other time in the past … Continue reading
Boy group EPEX have taken the unusual route of releasing two full-length albums this year. And when we add new title track Universe to the list, the guys will have promoted a total of five (!) songs with music videos in 2024. That’s quite prolific. Not all the material has been equally great, but this … Continue reading
Today, Minho becomes the final SHINee member to release a full studio album. New material from SHINee is always something to cheer about, but in the past Minho’s work hasn’t often been targeted to my taste. He tends to prefer more downbeat, vibes-driven material. New single Call Back adds a driving beat, but its tone … Continue reading
As sure as the sun sets, we can count on J.Y. Park to return each year with a fun retro banger. It’s practically a national holiday at this point. He’s long since eschewed albums for digital singles and this approach gives him a chance to funnel all his energy into one great song at a … Continue reading
Earlier this year, TXT unveiled the angsty Deja Vu, capitalizing on the rock-infused sound that made their 2021 so exemplary. However, I felt that song’s production held it back from blooming into the highlight it should have been. Now, the guys have reverted to their second mode of pop song: upbeat, disco-kissed dance music. They’ve … Continue reading
Top Media’s first ever girl group teased their debut last month with pre-release Best Friendz. From that song alone, it felt as if their music would be pitched toward a younger audience. Their proper debut track arrives today and shines more light on where the group may be headed. After Best Friendz, it’s pretty jarring … Continue reading
I loved Kep1er’s nine-member swan song Shooting Star and was upset when they never performed it at this year’s KCON LA. Now the group is down to seven, as Mashiro and Yeseo parted ways to join 143 Entertainment’s Madein. A new configuration opens potential for a new sound, and Tipi-Tap certainly switches things up. Unfortunately, … Continue reading
In the lead-up to BABYMONSTER’s first full album, they’ve teased all of its songs except title track Drip. We even heard the full album opener Clik Clak two days ago. I haven’t been impressed by much of the group’s discography so far, but YG Entertainment always seems to come up with at least one highlight … Continue reading
Around this time last year, BTOB left their longtime agency Cube Entertainment. They’ve since established their own BtoB Company to manage activities for most members, presumably giving them more creative freedom. As their first group effort since this transition, Please Stay (불씨) doesn’t reveal much change. The emotive ballad sits well within their established discography. … Continue reading
Earlier this year, Moon Jongup reunited with three other ex-B.A.P members for “Bang & Jung & Yoo & Moon,” but he’s also been active as a soloist. New single Twist Ya follows last year’s slinky X.O.X, adding a healthy dose of synthwave to give the track extra flavor. Though it doesn’t break any new ground, … Continue reading
It’s been seven years since I last got to write about new G-Dragon music. To call him foundational to my own K-pop fandom would be a vast understatement. From his work with Bigbang to his solo material, G-Dragon is K-pop for me. With an album set for release next month, he’s finally returned with pre-release … Continue reading
STAYC’s 2024 material has been increasingly quirky, marked by oddball earworms like Cheeky Icy Thang. Their music’s appeal has always been a bit left of center, which is a good thing. But in a current girl group landscape that favors beige easy-listening, it’s interesting to hear them adjust to the trends. New single GPT does … Continue reading
Quality control at YG Entertainment has been all over the place for the past decade or so, and the agency’s newest artist BABYMONSTER is emblematic of that hit or miss approach. The group’s first full album is just around the corner. Clips of the songs have gradually been teased and the previews range from godawful … Continue reading
SNSD’s Sooyoung actually started her idol career in a short-lived J-pop group before eventually debuting in Korea. It’s funny, then, that it took this long for her to release a solo single in Japan. Better late than never, as Unstoppable recaptures some of the magic from SNSD’s discography while showcasing Sooyoung’s own charisma. A song … Continue reading
TVXQ are set to release a 20th Anniversary album in Japan early next month. They already unveiled its lead track Sweet Surrender a few weeks ago and now they’re teasing again with the classic ballad Dearest. Some of their most successful Japanese work has been within this musical realm, and given the special occasion it’s … Continue reading
The Boyz had a very strong run of 2023 singles, but their 2024 has been comparatively sparse — at least where new music is concerned. Moving on from their Phantasy series, the guys are back with an edgier sound. Trigger careens between high-tempo electro pop and bombastic theatricality. Unfortunately, that mix sounds better on paper … Continue reading
In the lead-up to their second album, Twice sub-unit Misamo unveiled a cover of Namie Amuro’s 2008 hit New Look. As a lover of the original song, I found the update supremely lacking. It drained all energy from an otherwise solid piece of music. Now, the girls are back to right the ship with original … Continue reading
The Bias List // K-Pop Reviews & Discussion 