To my mind, 2015’s Reboot was not only Wonder Girls’ best album, but one of the best k-pop albums of all time. It’s such a pity that the group never had a chance to follow up on its 80’s sound before disbanding. But this — unexpectedly — is where Yubin comes in. With debut solo … Continue reading
These Produce 101 groups are so frustrating. The program compiles such a talented and likable collection of performers, only to undermine that potential with frustratingly generic material. Wanna One’s outstanding first mini album gave me hope that they’d be able to develop a signature sound, but each release since has been a disappointment. New single … Continue reading
With over 2,300 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets the … Continue reading
Earlier this year, Pepsi brought together a quartet of Produce 101 alumni for the addictive 80’s pastiche Love It Live It. This unit (YDPP) proved to be more fun than they had any right to be, so it only makes sense to repeat the project. This time, it’s the girls’ turn. WJMK drafts Seola and … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2018 Overall Thoughts All things considered, May was a pretty solid month. It definitely had … Continue reading
Kim Samuel has been one of the most prolific post-Produce 101 acts, blitzing his way through four title tracks (and two Japanese singles) in just ten months. He’s got the energy of youth on his side, plus the steady producing hands of Brave Sound. If I’m being completely honest, Samuel’s vocals have never been my … Continue reading
Despite the fact that its full group hasn’t yet officially debuted, the ambitious LOONA project has already spawned two sub-units. The first (LOONA 1/3) offered a bright, pop-driven album before returning with the surprisingly moody Sonatine. The second (LOONA Odd Eye Circle) took on an edgier persona, resulting in two of the project’s best singles … Continue reading
2018 has been a strong year for j-pop so far, both when it comes to native Japanese artists and k-pop acts expanding into this territory. Though boy group Da-iCE’s January single Tokyo Merry-Go-Round didn’t do much for me, they’ve come roaring back with the brilliant Fakeshow. This is easily in the running for their best … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. With The Story Of Light Ep.1, SHINee offer the opening salvo … Continue reading
With the constant influx of rookie groups to k-pop’s already crowded marketplace, you’d think you’d want to give your act a unique name that helps them stand out. New boy group NTB is bound to get mixed up with the likes of NCT and UNB, but I guess the lure towards mysterious three letter acronyms … Continue reading
Though they’re still early in their career, Pristin have quickly become known for their bright, light-hearted pop style. Most groups don’t venture out to sub-unit activities until several years into promotion, but it seems that these girls are already hungry to display their versatility. Place Pristin V’s Get It (네 멋대로) next to the full … Continue reading
So many veteran idol groups have gone through changes these past few years — some of them losing members and some disbanding altogether. Seventeen months after their last comeback, AOA are still kicking, but without their former main vocal Choa. So while Bingle Bangle (빙글뱅글) retains the fun, upbeat style the group has pursued for … Continue reading
Three years ago this month, SHINee released their masterful View, which would go on to become one of 2015’s most enduring songs of summer and jump-start k-pop’s fascination with 90’s deep house. Now, three years later, the group finds themselves at an altogether different crossroads. After the loss of member Jonghyun last December, their tenth … Continue reading
With over 2,300 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets the … Continue reading
Dominant j-pop agency Johnny’s Entertainment hasn’t debuted a new act since 2014, making King & Prince’s arrival highly anticipated. The group is a combination of two trainee units, Mr. King and Prince, and has already proven to be a huge commercial success with first single Cinderella Girl (シンデレラガール). As with most Johnny’s acts, no one voice … Continue reading
Oh, 24K. We’ve had a rough history together. For every impressive Only You, there’s been a disappointing Bingo. I appreciate this group’s passion and I respect any idol act who contributes to their own song composition, but I just don’t think 24K’s noisy sound will ever be for me. New single Bonnie N Clyde wraps itself in … Continue reading
Boyfriend are the latest group to find themselves at that precarious seven year mark, where contracts are up and the guys are forced to decide whether to stick together or go their separate ways. Whatever happens, they’ve left behind an incredibly strong (and underrated) discography. Their lengthy run of Sweetune-produced singles always gets eclipsed by … Continue reading
First of all, I apologize for the alarmist title. I don’t believe k-pop is anywhere near dying, nor do I think the concept of a fandom is a bad thing. I consider myself a massive k-pop fan, so much that I’ve written about it every day for the past two and a half years. I’d … Continue reading
Bolbbalgan4 have been an absolute force in the Korean music scene ever since their 2016 breakout hit Galaxy. Yet even as their music has become ubiquitous, I’ve continued to consider them too indie/acoustic to compare to the usual acts I write about on The Bias List. New title track Travel (여행) changes that. It’s their … Continue reading
The East Light’s January release Real Man was one of that month’s biggest growers, and its disco pulse proved to be a perfect match for the young band. With new single Love Flutters (설레임), the guys have reverted to the tropical pop they dabbled in last year, this time with an acoustic edge. Love Flutters’ … Continue reading
The Bias List // K-Pop Reviews & Discussion 