Sungmin has found a comfortable niche in trot music, a sound that’s still very popular in Korea. And with SM Entertainment set to debut a trot boyband of their own, the genre seems poised for even more of a resurgence. For my part, I appreciate a great trot track (especially when performed live) but very … Continue reading
Last year, it was reported that Nine Muses might be regrouping for a reunion comeback. I’d love to see it, as their discography is one of K-pop’s most underrated gems. But a year later, it seems that the news might have been a pipe dream — and judging by recent returns from groups like Infinite … Continue reading
Across her solo career, Mamamoo’s Moonbyul has proven to be one of the more versatile members of the group, tackling a hodgepodge of genres and concepts with her trademark energy. Last winter’s double shot of Think About and Touchin&Movin was more effective than I’d expected, and now she’s returned with a repackage of that album … Continue reading
New JYP Entertainment boy group NEXZ made their debut in Korea earlier this year with the unremarkable Ride The Vibe. Now they’re back with a quick follow-up (and their official Japanese debut) in the form of jubilant pop track Keep On Moving. NEXZ are clearly tackling a lighter sound than many of JYP’s male acts, … Continue reading
STAYC have leaned further into their quirky side as their career has developed, and that includes their Japanese work. 2022’s Poppy is one of their wackiest tracks, capitalizing on a certain J-pop energy that isn’t always embraced by Korean acts. Despite its silly title, new single Meow is more straight-laced, delivering a brief burst of … Continue reading
Rookies Young Posse have made a name for themselves with quirky hip-hop tracks and bizarre music videos with bad green screen effects. New single Ate That leans into both aspects but stands as their best attempt yet, embracing a full throated G-funk beat. I have a huge soft spot for 90’s hip-hop, particularly when underlined … Continue reading
Initially, I dug my heels in when it came to writing about PLAVE’s music on this blog. As popular as they are, this “virtual” boy band almost feels like a different genre than K-pop. And despite their punchy rock sound, I haven’t found much of their music compelling enough to compensate for the lack of … Continue reading
Earlier this year, ILY:1 transitioned to a funkier pop sound that suited them well. IMMM wasn’t able to sustain its strengths for its entire three minutes, but acted as a runway to what could become a unique sound for the girls. New single illang (Firework) jettisons much of that promise, reverting to a standard summery … Continue reading
To me, SF9 have always come across as musical chameleons. Their material is reliably polished and well-performed but doesn’t always have a distinct musical character. Instead, they flit between genres and often land on a winner. January’s Bibora was one of those lucky draws, gifting the guys a sleek dancepop confection that went on to … Continue reading
Apart from the status of Golden Child’s contract (by my count, their renewal deadline is in… nine days?), the biggest Woollim Entertainment mystery is which of its artists will be the first to break the agency’s dreaded three-track album curse. The last time a Woollim artist released more than three songs at once was all … Continue reading
I vastly underrated NMIXX’s January title track Dash, which quickly grew on me and just kept growing over the course of the year. When given great material, this group has unlimited potential. However, JYP Entertainment seems intent on throwing the musical encyclopedia at them, trying every angle they can to see what sticks. Pre-release SICKUHH … Continue reading
Fresh off a commanding stint as headliner at this year’s KCON, SHINee’s Taemin is back with his first release under BPM Entertainment. Moving agencies — especially from one as distinct as SM Entertainment — has the potential to alter the sound of an artist. Taemin has always held an idiosyncratic vision and thankfully BPM seems … Continue reading
Beyond the quality of the music, the number one thing that draws me to a newly debuted group is a unique perspective. Many of this new generation’s big names (TWS, BOYNEXTDOOR) have a specific sound and concept that carries even their weaker material. If any agency is poised to replicate this approach, it’s Mystic Story. … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
Girl group Mimiirose continue their once a year comeback schedule, with The Flowers Swayed (흔들리지 않고 피는 꽃이 어딨어) their first new single since last September’s Flirting. The song sees them towing the line between sparkly synthpop and the more reserved girl group sound that’s been dominating 2024. Choosing between these two influences, my taste … Continue reading
Fresh off the success of her recent single Rockstar, BLACKPINK’s Lisa is back with a big-name collaborator in tow. Spanish singer Rosalía makes for a compelling feature, herself a genre-bending, forward thinking popstar who can certainly match Lisa’s charisma. And as a song, New Woman is infinitely more interesting than its predecessor. However, “interesting” doesn’t … Continue reading
A few years ago, I took a look back at my top K-pop songs of 2016 and did some reshuffling. To be honest, that list still needs a couple slight changes to be totally accurate in my current thinking, but rather than be overly fussy I’d like to move onto the following year. 2017’s K-pop … Continue reading
Comparing Fantagio Entertainment’s roll-out of Astro in 2016 and LUN8 in 2023-24 is like measuring a freight train against an old jalopy. Without frequent comebacks, robust promotion or a distinct sound, this group feels nebulous and underappreciated. And to make things worse, the music has rarely been that great. I’m sure LUN8 are very talented … Continue reading
I had the chance to catch Lucy on their recent world tour and they were everything I hoped they’d be: immensely talented, very personable and chock-full of excellent music. But even in that setting, I couldn’t help but notice that their older material hit hardest. Songs like Flare and Snooze have yet to be bettered … Continue reading
The Bias List // K-Pop Reviews & Discussion 