Say you’re one of the biggest music agencies in the world and you’re looking to launch your next big girl group. What do you do? Saddle them with a Christmas song (in February!)? Toss them an old b-side from the soundtrack of a Fast & Furious spin-off? Both sound like awful ideas, yet this is … Continue reading
Whether intentional or not, SM Entertainment has established a template for debuting their newer girl groups. Open with a big, colorful dance track and follow up with a cover of a late-90’s/early 00’s Yoo Young-Jin produced song. This combination worked wonders for Red Velvet, but both Happiness and Be Natural were dynamite songs. I liked … Continue reading
After a glut of high-profile rookies in 2019, this year felt more subdued. There were still tons of new acts, and many of them made it onto my “Top 50 Songs” countdown. But, most hailed from smaller agencies with less promotional power. Making a rookies list is a combination of looking back and looking forward. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2020 Overall Thoughts November was absolutely packed with releases, and though only one title track … Continue reading
It’s that time of year again! Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2020 went. First up is SM Entertainment. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like … Continue reading
It’s been over six years since SM Entertainment last debuted a new girl group, making aespa’s arrival long overdue. I feel like there have been rumors about a new girl group for at least four years now, with many picturing a large, SNSD-like configuration. Instead, aespa is a tight, four-person act, just as Red Velvet … Continue reading
The Bias List // K-Pop Reviews & Discussion 