At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Even if I haven’t loved every ALL(H)OURS single, I’ve appreciated the group’s energy and willingness to deliver cheesy, over-the-top hooks. Their songs often have a second-gen appeal wrapped up in modern aesthetics. It’s disappointing, then, that pre-release Hop sounds more like an ATEEZ reject. With the repetitive, monotone Bad currently ruling the charts (for some … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2026 Overall Thoughts Hmm… um… Well… I guess if I look solely at my top … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Since debut, ALL(H)OURS have stuck to a bombastic sound, fusing huge beats to catchy chants. This formula has often thrown melody to the curb in favor of other aspects, and that’s been the one missing piece that has prevented me from becoming absolutely obsessed with their singles. I wish I could sit their producers down … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
I know I don’t speak for all K-pop fans, but I am tired — so tired of being yelled at by overly aggressive boy groups shouting alongside cacophonous instrumentals. Previously, ALL(H)OURS found a nice middle ground between noise and sleek structure, delivering the standout singles Shock and Gimme Gimme. But with new track Ready 2 … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2025 Overall Thoughts K-pop continued to limp along this month, though the second half of … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
ALL(H)OURS joined January’s pre-release rush with the underwhelming Graffiti, but teasers for new title track Gimme Gimme seemed to promise a return to the pounding dance sound of last summer’s Shock. In this current K-pop climate, it’s more important than ever to develop a distinct sonic identity and ALL(H)OURS would do well to hitch their … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Rookie boy group ALL(H)OURS has been in the news recently, as K-pop titan JYP Entertainment recently listed their agency as a subsidiary. I’m not sure what this means when it comes to company resources, but it does get their new release plum placement on JYP’s YouTube channel. Given this development, it’s the perfect time for … Continue reading
Before I take a look at K-pop’s established artists, it’s time to spotlight this year’s fresh crop of talent! When I ran my first-ever Bias List survey, I was surprised when the majority of respondents noted that this year’s rookies were not particularly exciting. But when I took a look back at the year as … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2024 Overall Thoughts After a stellar June, July was always going to have a hard … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
I wasn’t bowled over by ALL(H)OURS’ debut earlier this year, but I sensed musical ambition that might lead to exciting things in the future. With their second mini album, the guys are moving in the right direction. Title track Shock (도깨비) takes many familiar boy group tropes but adds a crackling instrumental that feels new … Continue reading
2024 is bounding out of the gate with debuts. ALL(H)OURS is the latest in a string of new groups, each competing for their own sliver of the market. It’s been a mixed bag so far, with Waker being my favorite of the bunch this month. As I often say, the guys of ALL(H)OURS seem to … Continue reading
The Bias List // K-Pop Reviews & Discussion 