In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! October … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! February … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! June … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! April … Continue reading
2013 was a high-concept, musically diverse year in K-pop. Hip-hop hadn’t yet taken over, and melody was still king. Instrumentals aimed for the rafters of stadiums, bringing in explosive guitar, sledgehammer beats and bombastic electro riffs. Songs played around with structure in artful, unexpected ways, often polarizing opinion before unveiling themselves as future classics. Here … Continue reading
2013 was a high-concept, musically diverse year in K-pop. Hip-hop hadn’t yet taken over, and melody was still king. Instrumentals aimed for the rafters of stadiums, bringing in explosive guitar, sledgehammer beats and bombastic electro riffs. Songs played around with structure in artful, unexpected ways, often polarizing opinion before unveiling themselves as future classics. Here … Continue reading
Seeing U-Kwon’s name pop up on the K-pop release slate made me remember his group Block B for the first time in a while, and also made me realize how gradual their decline has been. Though not disbanded, the group seems to be in a state of purgatory, with some of its members in the … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
With leader Zico leaving Block B late last year, it’s hard to imagine a path forward for the group. I don’t mean to discount the contributions of the other members, but Zico always felt like the face of Block B. Luckily, the group already has an established sub-unit. Bastarz debuted in 2015, and consists of … Continue reading
It’s time to flash back seven years to 2012, an era of huge choruses, thumping dance beats and an endless supply of sci-fi influenced music videos. 2012’s charms were endless, but here are fifty of the absolute best singles. To be eligible for this top fifty list, songs must have had a Korean release as … Continue reading
A collaboration between Zico and IU is like a wet dream for Korean charts. Both artists routinely see their music lodged in the top ten for weeks (sometimes months) on end, seeming to attract a wide variety of fans. So why does the prospect of this pairing leave me cold? More and more, I’ve come … Continue reading
Before Block B struck gold as an edgy idol group, members Zico and Park Kyung cut their teeth in the music industry with underground hip-hop releases. It’s interesting, then, that their story has come full circle. Recently, both rappers’ solo hits and variety appearances have eclipsed those of their full group. It makes me wonder … Continue reading
As Block B have progressed to a new stage in their career, their comebacks seem to alternate between the raucous hip-hop/pop of their past and more pensive balladry. November’s Shall We Dance brought the party vibes, and new single Don’t Leave (떠나지마요) follows it up with the inevitable come down, casting the group in a … Continue reading
Block B has maintained a certain level of success (especially as soloists) over the past two years, but it feels like their group work has lost some of its momentum ever since their nearly two-year hiatus after 2014’s H.E.R. February’s boisterous Yesterday seemed to herald a return to form, and Shall We Dance‘s very title … Continue reading
If I imagine a P.O solo track, my mind instantly leans toward something like Block B‘s Bastarz sub-unit — gruff and aggressive and very, very loud. After all, his coarse rapping style has become well known as the anchor for songs like Very Good and Nillili Mambo. But rather than go the expected route, the … Continue reading
