Since debut, CLASS:y have set their sights on both Korea and Japan, signed under Universal Music for the latter. They remain on the periphery of both markets, though their music is slowly improving. Like so many of their peers, their sound is a hodgepodge of various global elements. They cast their net wide rather than … Continue reading
It’s time for K-pop’s final year-end festival of they year! As usual, MBC’s Gayo Daejejeon coincides with New Year’s Eve, pausing midway through for a countdown to 2023. Although HYBE artists were absent from the festival again this year, MBC’s Gayo tends to include a greater variety of genres than the other festivals. We had … Continue reading
When I first laid eyes on the tracklist for CLASS:y’s newest mini album, its length caused me to do a double take. Calling two tracks a “mini album” is quite a stretch — even for K-pop! But, the group has compensated for this brevity with a long-form music video that combines both tracks into one … Continue reading
Rookie group CLASS:y aren’t wasting any time. They’ve divided their debut mini album in two parts, releasing both within weeks of each other. Shut Down was unveiled only a month ago and it’s already time for their first comeback. I know the K-pop industry moves fast, but this feels like a new record! Shut Down … Continue reading
Is it just me, or has 2022 been stuffed with K-pop debuts? They just keep coming, making me wonder if there’s a breaking point in this industry. Eventually, there just can’t be enough audience to support all these acts, right? Like many 2022 debuts, CLASS:y emerge with built-in recognition. They formed as a result of … Continue reading
The Bias List // K-Pop Reviews & Discussion 