There are still two more countdowns to come (Top 40 pop songs and Top Dramas), but now that the K-pop-specific lists are complete it’s time to add up the categories and find out which comebacks ranked strongest overall. From a pure numbers standpoint, I guess this is the most important list I’ll publish! Just like … Continue reading
I spend the whole year plucking “buried treasures” from K-pop’s vast slate of albums, and now it’s time for those b-sides to have their own countdown! As usual, some of 2022’s strongest music was never promoted with a glossy video or music show blitz. Over the next two days, I’ll be counting down my forty … Continue reading
Compared to 2021, this year definitely felt weaker when it comes to albums. Mini albums faired better than full-lengths, but apart from a few mega-standouts, most K-pop releases took a piecemeal approach to their music — too often stuffing tracklists with a horde of different producers rather than settling on one unique vision. Like usual, … Continue reading
Yesterday was an opportunity to spotlight established artists who had a great year. Now, it’s time to look at 2022’s new debuts. It was a pretty big year for debuts — particularly girl groups. Many of 2022’s highlights came from these acts, making this list difficult to compile. The ranking is so dependent on what … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2022 Overall Thoughts The calendar may show one month left in 2022, but the year … Continue reading
CSR’s summer debut stands as one of my favorites from 2022, opting for a bright, poppy sound that hearkened back to past K-pop eras. Not only that, but the girls enlisted my beloved Sweetune for a b-side! Since that debut, CSR have been sharing various dance covers of early-GFriend songs – a style I desperately … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2022 Overall Thoughts Counting up all of July’s releases, I’m not sure we’ve ever had … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. CSR have released one of the … Continue reading
Around 2015-2016, K-pop saw a boom of what most would call wistful, “cutesy” girl groups. On its face, this description feels a bit reductive, but the music itself was universally strong. Lovelyz, April, Laboum… early GFriend! These groups delivered a headrush of candy-coated pop hooks that emphasized vocal ability and sweeping, soaring melody. It’s a … Continue reading
The Bias List // K-Pop Reviews & Discussion 