In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Before I count down my top 50 J-pop songs of the year, I thought I’d blast you with a bunch of honorable mentions. J-pop can be notoriously difficult to find if you’re not already an active fan, and I figured readers who share my particular taste in music might appreciate having some extra recommendations. These … Continue reading
Each year, I try to delve deeper into the vast world of J-pop. 2018, in particular, rewarded that persistence. J-pop may be difficult to find for international listeners, but it provided a wonderful antidote to some of K-pop’s overused trends. This countdown is usually littered with Japanese title tracks by Korean groups, but this year … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2018 Overall Thoughts After two and a half years, it finally happened. June’s cumulative rating … Continue reading
I love a good comeback. And I don’t mean “comeback” in the new promotional cycle sense (though I obviously love those, too). I mean an honest to goodness resurgence in popularity after years of increased obscurity. J-pop group Da Pump has been around since the late 90’s, though they’ve struggled to maintain commercial success ever … Continue reading
The Bias List // K-Pop Reviews & Discussion 