The end of the year on The Bias List always feels like the K-pop Olympics. I spend 365 days writing about every major (and most minor) releases, and it all culminates in a weeks-long celebration of great music. Yes, there was great music in 2022. We also had to wade through a boatload of not-so-great … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
It’s been gratifying to watch DKZ’s (formerly Dongkiz) glow-up. Their ascent has nothing to do with the quality of their music and everything to do with member Jaechan’s sudden popularity as an actor. But, that’s just how the K-pop industry works. However they needed to do it, I’m happy DKZ have found success. But, I’d … Continue reading
We’ll take a brief hiatus from the usual Sunday Open Discussion post today because my annual “Risers and Fallers” feature always spurs conversation. Every July, I like to take a look at which songs have either grown or sunk on my own playlist. With years of reviewing under my belt and a pretty solid understanding … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2022 Overall Thoughts In a paradoxical trend, the average song rating on this blog has … Continue reading
Every once and awhile, K-pop agencies make smart decisions. On a purely aesthetic level, Dongkiz’s upgrade to “DKZ” is very welcome. The industry has far too many idol groups with three-letter acronym names, but anything is better than “Dongkiz”! But, this rebranding goes beyond the name. DKZ has a new line-up, with former member Wondae … Continue reading
The Bias List // K-Pop Reviews & Discussion 