As I impatiently wait for some of my favorite acts to make long-overdue comebacks, it made me wonder how long the longest K-pop hiatuses have been. So, I did some research! The following statistics are rounded by month rather than specific days, unless there was a tie between two acts. I’ve kept my focus to … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2019 Overall Thoughts We’re deep in the winter doldrums, and that’s exactly what February’s K-pop … Continue reading
Thus far, Dreamcatcher have done an excellent job maintaining their unique brand of metal-meets-K-pop, resulting in a cohesive (but never stagnant) singles run. Most of my favorite Dreamcatcher songs tend to draw upon diverse influences rather than go straight-on rock, so Piri’s electronic elements are definitely welcome. The song may not completely reinvent the wheel, … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. LEEZ Years … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2018 Overall Thoughts September’s usually a pretty slow month, with the Chuseok holiday holding back … Continue reading
Over the past few years, K-pop has become fascinated with trilogies and conceptual series. So many groups have debuted under this release schedule, building a cohesive sound through interconnected albums before venturing out to new horizons. Dreamcatcher used their Nightmare series to cement an aggressive, rock-fueled style, and this has resulted in a passionate (if … Continue reading
