At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Absent a full-group comeback, the girls of ARTMS have been blitzing the market with digital singles. Next on the docket is Heejin, who’s shifted into a new genre with sAvioR. The last time I wrote about her on the blog she was dabbling in new jack swing, but sAvioR takes a hard turn toward grungy … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2023 Overall Thoughts Though it boasted a more exciting line-up of big-name comebacks, October felt … Continue reading
Two things immediately caught my attention about Heejin’s Algorithm. First, a pre-release article mentioned the song taking influence from such 80’s luminaries as Madonna, Cyndi Lauper and (yes, my queen of all pop queens) Janet Jackson. Second, the track is co-written by Yi Saebom, who gave us this incredible 80’s pastiche in 2020. Most fans … Continue reading
The fact that I’ve been able to compile a top ten list for LOONA before their actual debut is a testament to just how ambitious their roll-out has been. Over the course of eighteen months, each member of the group has been unveiled via solo and unit tracks. There are over twenty songs to choose … Continue reading
The Bias List // K-Pop Reviews & Discussion 