2023 was a weird year for K-pop choreography. There didn’t seem to be too many iconic point moves, even as TikTok challenges continue to necessitate catchy, easy-to-replicate routines. As usual, this is not a ranking of the most technically impressive performances of the year. Instead, here are ten routines that caught my eye in 2023. … Continue reading
I wasn’t sure whether to write about Jimin’s Closer Than This or not. These fan songs and nostalgic behind-the-scenes videos skirt the line between “single” and “b-side,” but he seems too big of an artist to ignore. This style of track tends to follow a familiar template, making it hard to have a strong opinion … Continue reading
Today is J-pop day on The Bias List! I’m dropping fifty of my favorite songs from 2023 in one day. You may want to check out the honorable mentions first, but if you’re looking to dive into the proper countdown at once, you’ve found the right spot! Here are songs 50 to 31, presented with … Continue reading
One of the unique features of The Bias List is its “buried treasure” write-ups. I try my hardest to comb through every major K-pop album released each year and when a song catches my ear I highlight it on the blog. This countdown is an encapsulation of those write-ups, ranking my top 40 b-sides and … Continue reading
One of the unique features of The Bias List is its “buried treasure” write-ups. I try my hardest to comb through every major K-pop album released each year and when a song catches my ear I highlight it on the blog. This countdown is an encapsulation of those write-ups, ranking my top 40 b-sides and … Continue reading
By now, Bias List readers know that I wasn’t thrilled with this year in K-pop, and part of that rests on the strength (or lack thereof) of albums. I could barely find any full K-pop albums I loved this year, meaning the structure of this countdown has changed a bit. I still think it’s unfair … Continue reading
Now that I’ve taken a look at the new acts that colored 2023, it’s time to focus on their established counterparts. For me, most K-pop years are defined more by their rookies than older artists, and 2023 was no different. As usual, the criteria is built around these three facets: Quality of work Quantity of … Continue reading
Before I take a look at K-pop’s established artists, it’s time to spotlight this year’s fresh crop of talent! While 2022 was stuffed with girl group debuts, 2023 was dominated by boy groups. The ratio itself is pretty staggering, and much of this is likely due to the various spin-offs from MNET’s Boys Planet series. … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
As per tradition, the next few weeks on The Bias List will be stuffed with all sorts of year-end countdowns, mostly concerning the year in K-pop but also encompassing J-pop, global pop and even Japanese dramas! Basically, it’s a chance for me to take stock of my year in fandom and celebrate the things I … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2023 Overall Thoughts For the purpose of this blog, November marks the end of the … Continue reading
I don’t often write “buried treasure” posts for Japanese b-sides, but I almost made an exception for &TEAM’s Dropkick. As fate would have it, HYBE decided to release the song with its own music video and send the guys to promote it on music shows. That’s one hundred percent the correct choice, since Dropkick laps … Continue reading
Seventeen members have made smart use of mixtapes to tiptoe into solo work without all the fuss of full comeback promotions. I’m not sure how a single song can constitute a “mixtape,” but music is music whatever you call it and I’m happy to see Dino stretching his wings with more solo material. As one … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Before the end-of-year countdowns next month, I like to take a look at many of K-pop’s biggest agencies and see how their year went. Obviously, 2023 is not over yet so any upcoming changes to an agency’s grade will be reflected next year. Following SM Entertainment, YG Entertainment and JYP Entertainment‘s analysis, it’s time for … Continue reading
Though this spring’s Bite Me was not without its issues, it went on to be a big hit for ENHYPEN by tapping into the Y2K trend and prioritizing a short-but-sweet song structure. The funky teasers for new title track Sweet Venom promised something even better, and HYBE-related acts have found recent success with MJ-esque throwbacks. … Continue reading
