Idol band IZ kicked off their career with a series of Sweetune collaborations. Being a huge fan of Sweetune, this obviously caught my eye. But while the pairing resulted in a few good songs, I don’t think it drew upon the strength of either participant. Now, the guys have moved on to self-produced material, forging … Continue reading
By all accounts, I should be obsessed with IZ by now. They’ve collaborated with producers Sweetune for their last three singles, and continue to do so with new release The Day. Yet, none of these songs have connected very strongly with me, and none sound much like what I’d expect from Sweetune. Maybe it’s the … Continue reading
It’s been a rough year for us Sweetune fanatics. 2018 gave us several new classics, but all 2019 has offered are a couple of way-below-the-radar boy group tracks, a standout Japanese Hara (RIP) track, and a trio of IZ singles, which don’t sound like Sweetune at all despite being composed by the team. Oh, and … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2019 Overall Thoughts I was certain that August was an improvement over July, but after … Continue reading
What does a rock song composed and produced by Sweetune sound like? Well, if IZ’s May release Eden was any indication, it doesn’t sound like Sweetune at all. Their partnership with IZ has been one of the year’s biggest surprises. I’m not unhappy about it (unless it’s preventing more classic Sweetune music from being released…), … Continue reading
Idol rock back IZ have been active here and there, releasing one mini album each year since their debut in 2017. None of their title tracks really sound the same, which has made it difficult for them to cultivate a solid fan base. To be honest, I probably wouldn’t be writing about them now if … Continue reading
Being an idol rock group has to be difficult. If you incorporate choreography or dancefloor-driven electronics to your music, you start to lose any rock “credibility” you might have established. Yet, the idol scene craves the kind of trendy, concept-heavy pop/r&b that is difficult for bands to replicate. Rookie quartet IZ seem to be struggling … Continue reading
The Bias List // K-Pop Reviews & Discussion 