I don’t often write about Jay Park’s music on The Bias List. I guess he could still be considered an “idol,” but I’d classify his work as more straight-up R&B than K-pop. The lines are blurring more and more every year. However, a feature from the ever-popular IU warrants a review. Whenever I click on … Continue reading
GOT7’s Jay B offered the first peek at his solo work with May’s Switch It Up. Like many of his fellow group members, he’s opted from a subdued r&b style with heavy trap influences. It’s an ultra-trendy sound, and not one I usually flock toward. But, I thought Switch It Up was very successful, bringing … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! July … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! April … Continue reading
2013 was a high-concept, musically diverse year in K-pop. Hip-hop hadn’t yet taken over, and melody was still king. Instrumentals aimed for the rafters of stadiums, bringing in explosive guitar, sledgehammer beats and bombastic electro riffs. Songs played around with structure in artful, unexpected ways, often polarizing opinion before unveiling themselves as future classics. Here … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
There was a period when Jay Park released lighthearted, throwback r&b pop that resulted in at least two singles (the incredible Joah and So Good) that have only grown better with age. But that Jay Park has been replaced with someone much more predictable. In fact, I’ve hesitated more than once to review his prolific output of … Continue reading
Jay Park is one of the most prolific artists in all of kpop, though I almost hesitate to call his music “kpop” at all. Of course, it technically is, but he draws so heavily from western influence that his tracks often sound like American r&b songs covered in the Korean language. For the past year … Continue reading
The Bias List // K-Pop Reviews & Discussion 