Red Velvet’s Dumb Dumb was one of the best kpop tracks of last year and, along with Ice Cream Cake, helped to build tremendous good will towards the girls. Because of this, I’m utterly bewildered by SM’s decision to release the tepid, downtempo One Of These Nights as their new single. Part of me wants … Continue reading
As a fan of unbridled pop melodies, I don’t usually listen to all that much straight-up hip hop. For a song of this genre to really stick with me, it needs to have two qualities. First, the track has to possess a strong, memorable hook. But even more important than that, the song needs an addictive beat. … Continue reading
As popular as Jessi has become for her rapping and, well, general persona, it’s sometimes easy to forget that her real forte is as a vocalist. She’s reminded us of this through solo releases here and there, but those songs have generally been pretty forgettable when compared to her work as part of hip-hop group Lucky J … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. For those of us who love the polished Sweetune pop sound, … Continue reading
With such a cheesy and unnecessarily gendered group name, Boyfriend’s image isn’t likely to entice many outside the pre-teen girl bracket, and that’s a shame because they have one of the strongest discographies among the poppier realm of k-pop boy bands. Working with Sweetune more often than not, I sometimes think of them as the younger, … Continue reading
2016 is going to be known as the year of cross-company duets. It feels like SM artists have been collaborating with everybody, and now even smaller agencies are at it. Cherish is a duet between Yuju of girl group GFriend and Sunyoul of boy group Up10tion. Both are known as main vocalists in their respective teams, … Continue reading
After debuting with a synth-driven, cutesy track, Cosmic Girls released a second music video for follow-up Catch Me. This one is clearly designed to be a showcase for dance skills and attitude, as the song is far more hip-hop influenced. It’s an interesting counterpoint to MoMoMo, proving the girls’ versatility but bringing up questions as to … Continue reading
No matter what concept they’ve come back with, I’ve always found JJCC’s songs to be pretty middling. Maybe it’s their connection with Jackie Chan (hardly a music taste maker), but I’ve never been able to take them very seriously as a kpop group. That said, the Duble Sidekick-composed ToDay is a big step in the right direction. … Continue reading
Fiestar are on the cusp of renewed interest, thanks to notable variety show stints from members Yezi and Cao Lu. It comes as a bit of a surprise, then, that Mirror continues the sultry, midtempo sound of last year’s not-so-successful You’re Pitiful rather than opting for a reinvention (or return to the fun sound of One … Continue reading
Lee Hi has always seemed to be stuck in a time loop. I mean this in the best way, as her style (both vocally and production-wise) looks back at the soul and jazz of the past rather than towards the trends of the day. And though this approach will never appeal to me as much … Continue reading
Of all of YG Entertainment’s active artists, Lee Hi has been denied a comeback the longest. Though she’s collaborated with others more recently, it’s been since 2013 that we’ve heard solo material. A wait like this does nothing but build expectations sky high. With Seoulite, she’s returned with two title tracks. Do either of them … Continue reading
When I first got into kpop, I was convinced that Miss $ were some sort of sub-unit of miss A. This was based on nothing more than ignorance and name confusion, though for as little recognition as the group has now, Miss $ actually debuted two years earlier than the much-more-popular miss A. Even today, … Continue reading
Despite being a self-confessed Sweetune addict, I thought Snuper’s debut single was pretty lousy. For Platonic Love, they’ve worked with the production team again, this time to much greater effect. Sweetune has always been heavily 80’s influenced, but it’s been awhile since one of their title tracks has been so explicitly indebted to the era. From … Continue reading
Seo In Guk is one of Korea’s best loved modern balladeers. Even so, it’s been awhile since he’s released any music. I’m a little ashamed to admit that I don’t follow him all that much as a musician, but I did adore him in (Korea’s best drama) Reply 1997. I came into Seasons Of The Heart knowing that it would be … Continue reading
Along with KARA, Nine Muses are one of the two long-lasting kpop girl groups to have paired with production team Sweetune more often than not. This instantly makes them important to me, as the sound of their music is directly to my taste. They’ve had an incredibly consistent singles run, with even their non-Sweetune tracks … Continue reading
To tell the truth, B.A.P was a group I got into late in the game. Something about their image turned me off initially, but then I came to my senses and realized that their music is actually pretty awesome. They’ve been through a bit of turmoil over the past couple of years, but now that … Continue reading
With each song released through SM’s Music Station, it’s becoming more apparent that the platform is tailored to solo or duet ballads. This makes sense, as the songs aren’t promoted through performances or appearances, and it would be counter-intuitive to waste a full-fledged concept or choreography on something that is essentially a bonus treat for fans. … Continue reading
Only One isn’t the first time EXID’s leader Solji and variety-show-magnet Hani have collaborated as a subunit. Back in 2013, they released a pretty strong dance single called Good Bye under the name Dasoni. I’m not sure why they didn’t revive that moniker for Only One, but at least the sound is somewhat similar. Quite tellingly, the … Continue reading
KNK are a new boy group with YNB Entertainment, home to (highly underrated) girl group Bestie. Because I’ve enjoyed Bestie’s material so much, my interest was piqued when it came to KNK. Unfortunately, I think I’m going to have to wait until their follow-up single before forming a solid opinion about them, because Knock has … Continue reading
What’s with these AOA subunits and solos having such cringeworthy titles? I mean, I know it’s an English translation, but first we have “I’m Jelly, Baby” and now “Call You Bae.” Talk about appropriating the worst of western slang! Still, Jimin’s last solo track was called Puss (!), so I guess I should have tempered … Continue reading
The Bias List // K-Pop Reviews & Discussion 