After taking an extended break from the K-pop industry, Kang Daniel has returned with the release of his first mini album. Never mind that two-fifths of the EP is a repackage of his November single. It’s good to have him back, and hopefully with a renewed strength in mental health. New title track 2U sees … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2019 Overall Thoughts While November was not the blockbuster month that October was, it offered … Continue reading
I was quite hard on Kang Daniel’s July debut. It felt too beholden to trends, at the expense of really showcasing his appealing personality. Still, the album was a huge commercial success, cementing his status as one of 2019’s biggest soloists. With new single Touchin’, his ban on music shows has been lifted and he’ll … Continue reading
Days after railing against the Produce series’ negative effect on the K-pop industry, it’s time to look at the juggernaut from another angle. Since Wanna One’s disbandment at the start of the year, all of its members have gone on to release music of some sort. I’ve not been shy when it comes to my … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. After the shellacking I gave Kang Daniel’s debut title track, you … Continue reading
As Wanna One’s first center and a bonafide variety show star, Kang Daniel is easily the most anticipated of the group’s post-disbandment debuts. He’s spent the past few months locked in a legal struggle with his former agency, but has come out victorious with his own label and (presumably) a new sense of artistic control. … Continue reading
