With K-pop, it’s gotten to the point where I can almost predict how I’ll feel about a song from its title alone. The exclamation “Gratata” sends shivers down my spine, conjuring images of lame finger-gun dance moves and clanging beat drops that hit with all the nuance of a toilet tumbling down a staircase. This … Continue reading →

Most years, K-pop debuts are a huge source of inspiration, offering new energy and new ideas. 2022 has seen some notable debuts, but most have been cut from the same musical cloth. With the arrival of MLD Entertainment’s Lapillus, I’m more convinced than ever that the industry is simply devoid of musical innovation. Hit Ya … Continue reading →