Upon the announcement of its official closure, I joked about owing K-pop’s Universe app a proper obituary. But the more I thought about it, the more I realized that I really do need to document the demise of this longstanding frenemy. During its brief existence, Universe promised creepy AI-generated idol interactions (or so I’m told). … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2022 Overall Thoughts Counting up all of July’s releases, I’m not sure we’ve ever had … Continue reading
When I think of mixed-gender, summertime duets in K-pop, my mind instantly goes to 2014’s A Midsummer Night’s Sweetness, which was inescapable that year. I love the idea of a chill duet soundtracking the season, and the combination of Loco and Hwasa seems perfectly designed for this purpose. Despite the exclamation mark in its title, … Continue reading
With each new Universe release, I debate whether I should keep writing about these tracks or simply treat them as their own sort of b-side. After all, you can’t really consider them a “comeback” — especially since the full music videos are limited to the Universe app. And, none of the songs so far have … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! February … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2018 Overall Thoughts Well, if July was disappointing, August was downright anemic. For the first … Continue reading
As the third season of SM’s digital Station platform continues to shine light on unexpected collaborations, the pairing of EXO’s Baekyun and rapper Loco arrives with much expectation. It’s been awhile since we’ve heard any EXO-related material, and fans are more than ready. Luckily, Young gives the duo an interesting piece of trend-free electro-pop music … Continue reading
The Produce 101 rush of debuts continues with Choon Entertainment’s Longguo and Shihyun. Duos are not particularly common in k-pop, and I assume the two will eventually become part of a larger group. But for now, both performers complement each other well even if portions of their material leave something to be desired. I can’t … Continue reading
Though his band CNBLUE has released more than their fair share of great music, the format of a pop/rock group has always seemed to limit Jung Yonghwa’s innate sense of showmanship. The guy knows how to command a stage and pull the audience right into a song. His first solo album in 2015 spawned a … Continue reading
I’ve been watching K-Pop Star since it’s been on the air, but I’ve always been surprised out how few bona fide stars it actually produces. Apart from Akdong Musician and Lee Hi, the show has become more closely associated with indie acts. This isn’t to say that an artist with a less pop-influenced style can’t be a … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
The Bias List // K-Pop Reviews & Discussion 