On this busy comeback day, NCT’s Doyoung stands as the sole male performer in a flock of competing girl groups/bands. Memory (안녕, 우주) comes from his second solo album and sees him continuing the sound he established on the first. His rich voice is well suited to OST-style music, sacrificing edge for comforting emotion. Because … Continue reading
Promotion of Japanese music is often unpredictable. Ten’s Silence was released over a month ago as part of his first Japanese mini album but its music video has finally arrived today. I listened to the song back when it first came out and can’t remember a thing about it, but sometimes extra promotion unveils aspects … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Rose is an interesting display of time travel. NCT’s Taeyong is still on hiatus as he fulfils his military service. This song was first unveiled in 2021 and the video premiered during an event last year. Now, it’s finally made its way online in time for Korea’s Rose Day. I don’t think we can call … Continue reading
NCT’s Yuta made his solo debut last year with a pummeling J-rock sound. Of all the group’s members, his solo work has felt the most leftfield so far and that’s a great thing. It’s clear he’s passionate about this style, which should always be the number one element fueling solo work. This passion continues with … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
It’s a slow day (week? year??) in K-pop, so I’m going to sidestep over to the Chinese market for a moment with the debut solo single from NCT Dream’s Chenle. The song is part of a “special EP,” and given the way Chinese music is usually promoted I assume this album will be released in … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Listening to NCT Wish’s new mini … Continue reading
NCT Wish had a moment last year — starting with their excellent Songbird and continuing into their upbeat banger Dunk Shot — where I could clearly hear the potential of a fun, youthful new generation of SM boy groups. But surrounding those songs has been material I’ve had a hard time connecting with. The music … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
For the long-awaited release of Mark’s first solo album, he’s promoting with a title track named after his birth year. Birthdays aside, 1999 was an awesome year for music. Everyone was in party mode due to the impending turn of the millennium. Pop music was diverse and dominant, with MTV and TRL serving as hubs … Continue reading
Ten is one of those performers with absolutely seismic potential who just can’t seem to find material as strong as his own presence. Though I’ve enjoyed many solo Ten songs, I’ve never loved one. Stunner‘s very title seems to promise a turnaround, aiming to fully capture our attention. It succeeds in fits and starts. Over … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
After nearly a year of pre-releases, NCT’s Mark is finally scheduled to drop his debut album early next month. It’s been a long-gestating project, so I’m eager to see what he’s got in store. We don’t have to wait until April for new music, though. Pre-release +82 Pressin pairs him with bandmate Haechan. This duo … Continue reading
WayV’s Ten has a new mini album out later this month and — like seemingly everyone in K-pop — has teased it with a pre-release single. Pre-releases often end up being bigger hits than the actual title tracks, as artists want to come out of the gate with their strongest material first. Bambola takes a … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Because of MBC’s unprecedented decision to air their Gayo Daejejeon over two nights this year, my recap and ranking will also be divided into two parts. Make sure to check out part one for my general thoughts on the festival as well as a personal ranking of the best performances of night one. Now, it’s … Continue reading
Yes, you read that title right. We are going back to 2024 for two nights with MBC’s (delayed) Gayo Daejejeon. This end-of-year festival was filmed on New Year’s Eve, but its broadcast was postponed after the tragic Jeju Air Crash. At the time, I assumed the festival would air a week — maybe two — … Continue reading
