In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2023 Overall Thoughts For the second month in a row, I couldn’t really find any … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But along with most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! After a … Continue reading
Today is J-pop day on The Bias List! I’m dropping eighty of my favorite songs from 2022 in one day. You may want to check out the honorable mentions first, but if you’re looking to dive into the proper countdown at once, you’ve found the right spot! Here are songs 50 to 31, presented with … Continue reading
With such a busy slate of K-pop releases, I don’t always have a chance to rave about some of my favorite J-pop. This week, I’ll be giving an overview of some of my favorite acts and songs. Hopefully you’ll find a new obsession to add to your playlist! Why I Love Pretender (and you should … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2021 Overall Thoughts After spending the past few weeks counting down everything under the sun … Continue reading
My Top J-Pop Songs countdown continues in its expanded format! We’ve got fifty of the best (mostly idol) tracks Japan had to offer, with many great choices relegated to the honorable mentions. Because I don’t write about all of these songs the way I do for K-pop, this is always a fun countdown to compile. … Continue reading
I’ve compiled a “Best of J-pop” list every year since The Bias List started, but it always came from a very narrow point of view. In 2020, one of my personal resolutions was to follow the J-pop industry more broadly and (hopefully) expand my palette in the process. So while those past lists definitely included some epic … Continue reading
I’ve compiled a “Best of J-pop” list every year since The Bias List started, but it always came from a very narrow point of view. In 2020, one of my personal resolutions was to follow the J-pop industry more broadly and (hopefully) expand my palette in the process. So while those past lists definitely included … Continue reading
The theme of this year’s MAMA Awards was “New-topia,” which sounds a bit chilling in a weird way. But, things were definitely new here. This was unlike any MAMA yet, lacking a live audience. But even though everything was accomplished on soundstages, I think the producers did a great job making this still feel like … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2020 Overall Thoughts At the beginning of the year, one of my wishes for 2020 … Continue reading
With Laughter, Official HIGE DANdism (Official髭男dism) delivered my favorite J-pop single of last month. The song took full advantage of their epic, emotional sound, doling out its powerful climaxes with a deliberate slow burn. But, Higedan have another side to their music as well. They can rock out with the best of them, and Hello … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2020 Overall Thoughts For the first time in months, I feel pretty good about where … Continue reading
It’s not often you hear a new single that stretches on for nearly six minutes. Such is the age of streaming, and the time restraints necessary to craft a hit on platforms like Spotify. But although Official HIGE DANdism (Official髭男dism) have become the kings of streams in Japan, the Japanese market itself is still dominated … Continue reading
After starting this feature in February, I hoped to post a new J-Pop round-up every month or so. But, the Covid-19 pandemic put a halt on Japan’s music industry, with very little material coming out since early April. There just hasn’t been much to write about. So, instead of featuring strong b-sides this time, I’m … Continue reading
The Bias List // K-Pop Reviews & Discussion 