Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
In one of the year’s most unexpected collaborations, pop group The Boyz has returned with a song written and produced by Block B’s Park Kyung. Kyung has already composed a lot of material for his own group and for himself, but this is the first time he’s created a song for an outside act. I … Continue reading
Before Block B struck gold as an edgy idol group, members Zico and Park Kyung cut their teeth in the music industry with underground hip-hop releases. It’s interesting, then, that their story has come full circle. Recently, both rappers’ solo hits and variety appearances have eclipsed those of their full group. It makes me wonder … Continue reading
Though fellow Block B member Zico has stolen most of the thunder when it comes to solo material, Park Kyung has carved a nice little niche for himself. His style tends to be a little more conversational, focusing on sing-songy hooks and a generally unadorned blend of indie, jazz and r&b influences. He found great … Continue reading
Though Zico remains Block B‘s biggest solo breakout, I’ve actually preferred the more playful, quirkier material released by Park Kyung. Both Ordinary Love and Inferiority Complex were dynamic, interesting pieces of hip-hop pop, and pairing his verses with female vocalists seemed to be a winning formula. New single When I’m With You (너 앞에서 나는) … Continue reading
In k-pop, music videos are nearly as important as the songs themselves. It’s become such a visual genre, regularly churning out glossy videos that look much more expensive than they are. Without focusing too much on the actual song (though it’s impossible to fully separate the two), here were the top ten visual moments of … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
It’s been so gratifying watching Block B‘s Park Kyung rise to prominence as a solo artist. In an idol group with a leader as incredibly successful as Zico, it’s not easy to stand out, but Kyung has always been my preferred member due to his entertaining persona and lighthearted, cleverly constructed music. Last year he … Continue reading
Okay, okay. When I say kpop, I mean mostly kpop, because there’s going to be some jpop and cpop in this list as well (some of it in very prominent positions), but “Top 50 K-Pop & J-Pop & C-Pop Songs of 2015” just doesn’t have the same ring to it! The only other criteria for … Continue reading
The Bias List // K-Pop Reviews & Discussion 