i-dle’s Yuqi has a solo single album scheduled for later this month and has kicked off promotions early with pre-release track Gone. Much of Yuqi’s music has passed me by, but I absolutely loved 2021’s Bonnie & Clyde and her track Fly To The Youth (written for agency juniors NOWZ) was an early summer highlight. … Continue reading
Momoland are back! I repeat: Momoland are back! This is not a drill. After their disbandment in 2023, the group have proven that nothing is ever really dead in K-pop and have made a return with new single Rodeo. This is their first new music in nearly four years — a time period that represents … Continue reading
I listened to DAY6’s new album yesterday and thought — as I often do with their albums — that almost every b-side was stronger than the title track. Luckily, the guys are promoting double titles this time and have quickly followed up yesterday’s Inside Out with a video for album opener Dream Bus (꿈의 버스). … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. ZEROBASEONE’s last two mini albums were … Continue reading
There have been a number of great boy group debuts this year, and KickFlip were the first out of the gate. But despite their (over)long gestation since 2021’s Loud survival series, their music didn’t immediately connect with me the way other groups’ has. It’s been a slower burn, with May’s Freeze easily their best title … Continue reading
It’s hard to believe YG Entertainment’s Treasure have already reached their fifth anniversary. Their music has gone through several iterations during that time, ultimately leaning into a lighter pop/rock sound than they debuted with. New single Paradise is emblematic of this shift, offering a lightweight pop bop that’s well-suited to summer. This bright, easy-listening approach … Continue reading
NCT Wish released a late-summer highlight in the form of their buoyant Surf and promptly followed it with a second pre-release (the much more confounding Baby Blue). With the theme of color driving their new album, you’d expect the music to be as vibrant as possible. Title track Color is certainly stuffed with sound, rarely … Continue reading
With the end of ZEROBASEONE’s contract looming in the (very near) distance, fans are concerned this might be their last comeback — at least in their current iteration. It’s impossible to know for sure what the future holds, but the guys are no doubt throwing everything they have into their first full album and the … Continue reading
ILLIT made a sneaky Japanese debut with a soundtrack song, though their 2024 mega-hit Magnetic was also omnipresent in Japan. Like fellow HYBE artists TWS and BOYNEXTDOOR, their sound feels tailor-made for J-pop so it’s nice to hear them leaning into that on new single Toki Yo Tomare. After being somewhat hesitant about ILLIT last … Continue reading
It’s been over a year since we last heard from Sunmi, and even longer since she’s released anything more than a digital single. An album is reportedly in the works, but before that we have another standalone song with Blue!, which continues the softer sound of last year’s Balloon In Love. K-pop’s in this weird … Continue reading
New K-pop trio RE:WIND impressed me big time with their pre-debut RE:SET earlier this year. I also enjoyed the early-2000’s pastiche of Forever even if a muddled arrangement dulled much of its effect. The guys recently released their first EP and have now unveiled the music video for new track Little Too Late. Like Forever, … Continue reading
AB6IX are like K-pop’s “little engine that could.” They’re far past their commercial peak, yet keep churning out new music with regularity. And, that music often carries an upbeat energy that makes it feel as if the group is just getting started. New single Stupid takes an emotive approach, recalling K-pop’s early efforts in pulling … Continue reading
K-pop collaborations with global artists have become much more common over the years and exist across a wide spectrum. For every Rosalía and Megan Thee Stallion there’s a Maroon 5 and Alex Warren. NMIXX have already experimented with their music in many ways, so you’d expect them to choose an interesting collaborator as well. For … Continue reading
In many ways, 8TURN’s December single Like A Friend was the smash that got away — a spring/summer track released in the dead of winter as everyone was cobbling together their year-end best-of lists. Making matters worse, the group never promoted it until weeks later. I haven’t listened to that song nearly as much as … Continue reading
Kep1er’s most recent Korean title track Tipi-Tap felt like a non-entity — a song so slight that it tippy tapped its way from memory almost instantly. But after that, they released the surprisingly boisterous Yum in Japan. After performing that song at this year’s KCON LA, they teased new single Bubble Gum. This song exists … Continue reading
BOYNEXTDOOR made their official Japanese debut last summer, but it was with a re-recorded version of a single they’d already released in Korea. Count To Love is their first original J-pop single, and thus feels more like a proper step forward for them. It’s also the first BOYNEXTDOOR single to directly echo the sound of … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Not too long ago (2021, to … Continue reading
Everyone and their mother has had a pre-release this year, and NCT Wish are the latest to jump on the trend. Ahead of their new mini album, they’ve unveiled summer single Surf. Though we’re currently in the middle of a heat wave in my neck of the woods, it feels a bit late in the … Continue reading
In a year already stuffed with competitive boy group debuts, it’s time for another new act. idntt (pronounced “Identity”) is the brainchild of Jaden Jeong, the man behind LOONA, tripleS and ARTMS. The group follows the same interactive system as tripleS, with twenty-four members split into sub-units based on fan input. The agency is also … Continue reading
About a month ago, Jeon Somi released the underdeveloped Extra, which turned out to be a pre-release for her new mini album. This is only her second mini album in seven years, and third album overall. The pace may be glacial, but it’s nice to finally hear something more substantial from her. Closer acts as … Continue reading
