KARD have taken the unusual approach of announcing their disbandment alongside their new album, giving fans one last victory lap before the race is over. This co-ed group debuted with much fanfare all the way back in late 2016, riding K-pop’s tropical pop wave to great effect during their first few years. Since then, their … Continue reading
Like FTIsland and CNBlue before them, DAY6 have settled into an elder statesman position as one of K-pop’s leading idol rock bands. The difference is that most members of DAY6 also sing on their tracks, offering the opportunity for multiple solo careers. Young K made his solo debut back in 2021 but hasn’t released an … Continue reading
NouerA haven’t made a comeback since (checks notes… firmly ignores notes) June of 2025, building their sound on dramatic electro arrangements the likes of which we don’t hear much in K-pop anymore. They certainly did not attempt a generic shout-chant hip-hop track produced by Lay “The Sheep” Zhang, for which we can all be grateful. … Continue reading
There’s probably an entire generation of Bias List readers unfamiliar with the fantastic teen-pop/rock group The East Light. I’d urge you to check out their discography immediately, as they had a surprising number of hits to their name. Now, two of its former members have rebranded as Peak & Pitch, releasing one digital single (a … Continue reading
ILLIT’s music has grown more gimmicky with time, often on the hunt for the best TikTok challenge rather than the best songwriting. This is more of an observation than a judgment because there have been plenty of great K-pop groups who built their careers around gimmicks in the past. But every once and awhile, it’s … Continue reading
It’s been awhile since I’ve connected with a new aespa single, but as they move their attention to the Japanese market with Kiss N Tell, there’s an opportunity to switch things up and offer a different sound. This isn’t a complete reinvention, but takes the banging electro influence of songs like Lemonade and merges it … Continue reading
It’s a big week for the number 8. Today, 8TURN are making their comeback. Tomorrow, LUN8 are following suit. Based on the names alone, it would be easy to get these two groups mixed up, but so far 8TURN have released more songs that I’ve enjoyed. However, they’ve yet to find (and stick with) a … Continue reading
After a few years of releasing very solid material, Wonho turned his attention to global markets and his music began to suffer. With his new album Core, he seems to have returned to the sounds most central to him. For title track Don’t Wake Me Up!, that means a re-embrace of big dance beats. Of … Continue reading
Recently, fromis_9 have made their bid for K-pop’s beloved “summer queens” title, releasing their past few albums during this season. That title used to come along with a killer Duble Sidekick, Brave Brothers or Black Eyed Pilseung track, but in the era of song camps we just don’t get those idiosyncratic sounds any more. However, … Continue reading
It’s been awhile since I’ve watched any of INI’s content, but Ozaki Takumi was always a favorite member of mine. His good-hearted nature and willingness to be the butt of a joke made him come across as amiable and relatable. With that persona in mind, I never would have imagined he had something like Sonzai … Continue reading
NXON is a new supergroup made up of the acts APEX and AWIN, which makes me feel a little crazy because I’m not familiar with either of those groups. However, when I hear something I enjoy (which happens too infrequently these days!) I want to share. The guys have released both Japanese and Korean versions … Continue reading
Lee Minhyuk’s “Huta” moniker is used for his solo work, which differs in sound from his work with BTOB. Not much of this music has done anything for me so far, but he’s a dynamic performer deserving of strong material. Summer is the perfect time for new material from him, especially given his strong connection … Continue reading
DAILY:DIRECTION debuted earlier this year with the oddly titled yet easily forgettable ROOMBADOOMBA. Their sound aligned neatly with current trends — a sort of laidback, vibes-heavy take on hip-hop. New single Down With It evolves this sonic landscape with a bit more pep in its step. The production still feels overly loungey and aloof, but … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I don’t like messing with established … Continue reading
I’m no fan of MEOVV’s latest mini album, as it abandons most of the sounds I enjoy from their past music. However, its third track In My Hands stuck out as the obvious highlight to me so I’m glad they’ve chosen to promote it with its own video. Most of Bite Now is braggadocios bluster … Continue reading
Girl group RESCENE have gone viral several times in their career, but this latest boom seems to be sticking. Their 2024 highlight Love Attack has been lodged in MelOn‘s top ten for awhile now. In fact, as of writing this review, it just hit number one. Rather than attempt to steal that song’s spotlight with … Continue reading
Since 2024, TRENDZ have occupied a rare space in Bias List history. They’re one of the few acts to earn a top 5 place in a year-end countdown only to never grace those charts again. As is often the case for groups from smaller agencies, their success is entirely dependent on who they collaborate with, … Continue reading
While it’s important for any group to stretch their sound and try new things, there’s a certain point where a sonic shift completely abandons the identity that made that group fantastic to begin with. Such was the case with AHOF’s Sugar High, which repainted them as the kind of badass, chant-happy boy group that already … Continue reading
Golden Child may be no more as a group, but occasionally we still get new music from its members. Sadly, the indie nature of this music comes along with clear budget restrictions and limited promotion. Listeners who weren’t already a fan of the group might easily miss a song like Blue Moon. Blue Moon comes … Continue reading
VAYONN are the second new boy group to emerge from Kin Jaejoong’s iNKODE label, adopting a brighter sound palette than their hip-hop peers KEYVITUP. They teased their debut with the so-so Watta Day last month, and I suspect that song will play better in the context of an album. The bouyant MUAH! is their big … Continue reading
The Bias List // K-Pop Reviews & Discussion 