If we imagine the K-pop industry as a shopping street, ONF’s music is that quirky little boutique sandwiched between big box stores. Their continued pairing with producer Hwang Hyun has resulted in a discography that — while varied in sound — boasts a consistent character and perspective. This has made them the only K-pop act … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I was probably a little hard … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Tomorrow is TXT’s most consistent album … Continue reading
ILY:1’s past few comebacks have traded in the kind of post-GFriend/Lovelyz “innocent” sound not found often in today’s girl groups. The song have been facsimiles, but nostalgic ones. Now, the group has taken an edgier swerve with the funky dance pop of new single IMMM. And for the first minute or so I was convinced … Continue reading
Kiss Of Life made a notable debut last summer with multiple solo releases leading up to a full group track. It was a mixed bag musically, but offered glimpses of how exciting they might sound in the future. So far, their material hasn’t quite lived up to that promise, but new single Midas Touch rekindles … Continue reading
One huge difference between the K-pop and J-pop markets is the presence of rock music in idol culture. Obviously, there are rock groups in Korea that perform on weekly idol music shows, but the genre is far less present in the mainstream. Because of this, project group QWER’s sound feels much more Japanese. They even … Continue reading
As is common these days, VVUP made a “pre-debut” last month with the inert Doo Doom Chit. Presumably, they’ve saved their strongest material for their actual debut and title track Locked On is definitely an improvement upon its predecessor. That probably won’t be enough to distinguish themselves from the girl group crowd, but there’s potential … Continue reading
TXT’s comebacks have been divided between series of albums and special “minisodes” that offer brief breaks from the lore. This branding doesn’t really affect the music. There have been highlights from both formats. The group found especially solid footing in 2021 when their title tracks embraced angsty pop/rock. The teasers for new single Deja Vu … Continue reading
Upon hearing Chungha’s new single album, many commented that opener I’m Ready felt more like a title track than the playful sing-talk of Eenie Meanie. I agree, and judging by the virality of I’m Ready‘s newly-released promo video, it may end up having the last laugh after all. I’m Ready finds Chungha firmly back on … Continue reading
With over 4,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Just weeks after V released his own post-enlistment single, bandmate J-Hope is back with a full-on hiatus era album. Not only that, but his Hope On The Street is billed as a “volume one,” meaning we likely have much more coming. For the album’s single Neuron, he’s enlisted (pun totally intended) some of K-hip-hop’s big … Continue reading
As covered in my review of pre-release Rose, Super Junior-D&E’s GGB has been mired in controversy over the implications of its title. As a foreign listener without the cultural context to be offended, it’s easier for me to ignore this and focus on the merits of the song itself, though I don’t understand why the … Continue reading
Newly-debuting girl group Rescene are apparently fans of the two-syllable onomatopoeia song title. After delivering pre-release YoYo late last month, they’re back with their official debut UhUh. Neither of these titles inspire much confidence, but the songs have been stronger than those sound effects suggest. Though UhUh is a mixed bag, its highlights outweigh its … Continue reading
HYBE’s empire continues to grow with the debut of new girl group ILLIT. They’re under subsidiary Belift Lab and formed through the series R U Next?. They’re the first of a few new girl groups emerging this week, and their debut single Magnetic feels perfectly in line with current trends. HYBE (and specifically, NewJeans) have … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. DAY6’s new album may not reinvent … Continue reading
If you read my monthly “Global Pop Round-Up” feature, you’ll know how much I like dance music. It’s rare to find a straight-up club track in K-pop these days, as idol group configurations usually require an arrangement that mixes genres and tempos. The last all-out dance track I can remember was Somi’s Fast Forward — … Continue reading
During Lucy’s first two years after debut, they felt like one of the freshest acts in K-pop. Their music overflowed with ideas and hooky melodies that kept me coming back for more. Since then, they’ve settled into a reliable niceness. I’m not sure if it’s them or me, but I haven’t been able to muster … Continue reading
I wouldn’t consider myself the biggest Travis Japan fan overall, but their single Candy Kiss was one of my favorite songs of last year. They excel when given old-school funk beats and an uncomplicated, upbeat sentiment. Someone in the agency must agree, because new single T.G.I. Friday Night feels like a natural extension of that … Continue reading
The Boyz’ Phantasy series has seen them in top form, rattling through a variety of styles with confidence and flair. The trilogy comes to a conclusion with Love Letter, which feels a bit like an afterthought. Minimal promotion and a truncated track list give it the air of a going-through-the-motions repackage, but thankfully Nectar continues … Continue reading
It’s hard to believe it’s been nearly three years since DAY6 released a new album. The aptly-titled Fourever is their first as a quartet and a welcome return for one of the most dominant idol bands of the last decade. Title track Welcome To The Show offers a suitably dramatic sound to usher in their … Continue reading
The Bias List // K-Pop Reviews & Discussion 