One of my biggest pieces of advice for any newly debuted group is: don’t give the public time to forget about you. Starship Entertainment seem to agree when it comes to their promotions for IDID. The group actively promoted and performed their debut track for almost two months and now they’re extending that blitz with … Continue reading
The apostrophe-averse Baby DONT Cry debuted earlier this year with two promoted songs and a fun, upbeat sound in need of development. Several months later, they’re back with the defiant I DONT CARE. Music aside, it’s become clear that the group’s management doesn’t care about the rules of capitalization and punctuation. I’d love to hear … Continue reading
This is a repost of my “buried treasure” write-up for this song since it’s now been given a music video and extra promotion. I don’t always repost these, but given BABYMONSTER’s popularity it makes sense to push this back to the top of the blog. It also gives me a chance to re-evaluate the song, … Continue reading
HYBE’s new Japanese boy group aoen has had an absolutely fine debut year, but so far none of their music has pointed toward a distinct direction for the guys. Both The Blue Sun and Seishun Incredibles felt generic in their own way, with more interesting material slotted in as b-sides. Fortunately, their team has decided … Continue reading
I’ve made quite a swerve with ALLDAY PROJECT’s Famous since its release back in June. The first impression was not favorable, and as the song started to gain purchase on the charts I couldn’t help but wonder why. However, repeated listens (and eventual ubiquity) helped Famous worm its way into my brain until I became … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. We love a repackaged album that … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. For awhile now, I’ve preferred most … Continue reading
Back in the mid-2010s, there was a micro-trend of big, brassy girl group tracks — no doubt inspired by global megahits like Jessie J’s Bang Bang. I didn’t appreciate this sound as much as I should have in the moment, but looking back it was a great opportunity for K-pop’s girl groups to bring the … Continue reading
As K-pop’s 2025 release schedule starts to slow ahead of the end-of-year festivals and award shows, Starship Entertainment is having a few of their artists release digital singles. This is a smart way to feed their fan base without needing to invest in larger projects during a time that’s already busy. Monsta X have an … Continue reading
Rookie group Close Your Eyes completely reinvented their sound with last month’s pre-release SOB. While I initially balked at the cringe lyrics and heavy vocal effects, that song eventually won me over through the sheer force of its dance beat. However, I still enjoy the guys best on smooth, vocal-focused tracks like their killer debut … Continue reading
ONF have been a firm favorite of this blog since their debut, but trouble seemed to be in the air surrounding this new comeback. Not only does it interrupt the promising “My Identity” series the group launched earlier this year, but it completely jettisons their main producer Hwang Hyun in favor of in-house talent from … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. For their new mini album, NEWBEAT … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’ve been meaning to write about … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Apart from its brilliant title track, … Continue reading
After twenty-two years in the industry, TVXQ’s U-Know has finally unveiled his first full-length solo album. This project was preceded by Body Language, a track I found disappointing in almost every regard. Thankfully, title track Stretch feels much more aligned with U-Know’s incredible legacy. It’ll never not be weird to hear a TVXQ release minus … Continue reading
It’s hard to believe Sunmi has never released a full-length album until now. If we count her time with Wonder Girls, she’s been an active idol for eighteen years and a soloist for twelve. It’s a shame this album couldn’t have emerged when she was knocking out back-to-back classics like Heroine and Siren, but it’s … Continue reading
In addition to actual debuts, “pre-debuts” have become a thing for K-pop idols. I’m not entirely sure what the point is apart from building hype without taking a huge financial risk, but the more music we get the better so I can’t complain. I.MET.U is an upcoming girl group from (checks notes) TikTok survival series … Continue reading
Even as a fan who’s watched &TEAM gradually rise to “million sellers” in Japan, I was shocked by how well their Korean debut sold. It’s a solid album, and title track Back To Life has grown on me more with each day. The guys are wasting no time keeping the hype train going with a … Continue reading
It’s been over three years since we last heard new music from Winner’s Kang Seung Yoon. During that hiatus, he’s fulfilled his military service and taken time crafting a new full-length album. The fruits of his labor have finally arrived today in the form of new title track Me (美). Though I haven’t fallen for … Continue reading
When Ryugujo’s new EP was released earlier this month I had a feeling Sugar would be given a music video eventually. And while I prefer the bombastic rock tracks Egure Mekure and Yohaku, the fact that this song is now a theme for member Yuki’s new drama makes it the obvious contender for extra promotion. … Continue reading
The Bias List // K-Pop Reviews & Discussion 