K-Pop’s first generation is often referenced as the foundation for the industry we enjoy now, but there aren’t enough good English-language sources that give its music the focus it deserves. I’m hoping to change that with a continuing flashback series, spotlighting personal highlights from the era – both iconic and obscure. The era in question … Continue reading
K-Pop’s first generation is often referenced as the foundation for the industry we enjoy now, but there aren’t enough good English-language sources that give its music the focus it deserves. I’m hoping to change that with a continuing flashback series, spotlighting personal highlights from the era – both iconic and obscure. The era in question … Continue reading
K-Pop’s first generation is often referenced as the foundation for the industry we enjoy now, but there aren’t enough good English-language sources that give its music the focus it deserves. I’m hoping to change that with a continuing flashback series, spotlighting personal highlights from the era – both iconic and obscure. The era in question … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! MAGO (from Walpurgis Night – 2020) Previous Thoughts: “And, like many of K-pop’s recent retro offerings, MAGO has a great chorus. It’s a two-parter, kicking off with an effervescent refrain that feels like a big centerpiece without going overboard. This is followed … Continue reading
K-Pop’s first generation is often referenced as the foundation for the industry we enjoy now, but there aren’t enough good English-language sources that give its music the focus it deserves. I’m hoping to change that with a continuing flashback series, spotlighting personal highlights from the era – both iconic and obscure. The era in question … Continue reading
K-Pop’s first generation is often referenced as the foundation for the industry we enjoy now, but there aren’t enough good English-language sources that give its music the focus it deserves. I’m hoping to change that with a continuing flashback series, spotlighting personal highlights from the era – both iconic and obscure. The era in question … Continue reading
K-Pop’s first generation is often referenced as the foundation for the industry we enjoy now, but there aren’t enough good English-language sources that give its music the focus it deserves. I’m hoping to change that with a continuing flashback series, spotlighting personal highlights from the era – both iconic and obscure. The era in question … Continue reading
K-Pop’s first generation is often referenced as the foundation for the industry we enjoy now, but there aren’t enough good English-language sources that give its music the focus it deserves. I’m hoping to change that with a continuing flashback series, spotlighting personal highlights from the era – both iconic and obscure. The era in question … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Love In The Air (from Sunny Summer – 2018) Previous Thoughts: “Its robust instrumental features a dramatic strings riff and explosive electric guitar, all in service to one of the most uplifting pop beats we’ve heard in some time. The girls are … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Labyrinth (from Labyrinth – 2020) Previous Thoughts: “The track draws strong influence from J-pop, but not the kind of ornate, wistful fare that inspired GFriend’s new single Crossroads. Instead, Labyrinth hearkens back to the high-energy techno of the late 90’s – one … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TVXQ just released their best song … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Glass Bead (from Season Of Glass – 2015) Previous Thoughts: “Its hooks are sharp and punchy, underlined by a bright beat that approaches new jack swing without completely embracing the genre. Extra stabs of percussion add emphasis in all the right places, … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Flower Garden (from Time For The Moon Night – 2018) What I said then: “MIO also produced last year’s excellent Please Save My Earth, and borrows the same wind-tunnel layering effect for Garden‘s pre-chorus. It’s hard to explain this specific audio trick … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Mistranslations and nonsense titles are something … Continue reading
So far, I haven’t had much to say about WHIB apart from commenting on their strange group name, but who am I to deny a song titled “Rush Of Joy“? We can all use more joy in our lives, and WHIB are here to dole it out with funk pop precision. For those keeping track, … Continue reading
It goes without saying that I adore Taemin and his music, but my biggest frustration with his solo output is how often it tends to favor murky atmosphere and sluggish arrangements. He clearly enjoys this subdued tempo, and it allows for great spotlight on his choreography in a fluid, artistic way. But being a huge … Continue reading
It’s a weird time to be a Kis-My-Ft2 fan. The group’s latest album (their first in four years) was easily their worst — a project I listened to once and never returned to. Yet after leaving the group, Hiromitsu Kitayama has unveiled a musical breadth and creativity only hinted at during his time with Kisumai. … Continue reading
NCT Wish debuted earlier this year as NCT’s final fixed unit. Straddling the line between Japanese and Korean promotions, they appear to be following NCT Dream’s bright sound template rather than the angular experimentation of units like 127. February’s funky Wish was a decent start, but new single Songbird feels like their true arrival. I’ve … Continue reading
It usually takes me a song or two to fully warm up to a rookie group, and TWS’s Plot Twist was a slow-burn standout that compelled more and more as time went on. The exceptional hey! hey! officially sealed the deal, and now we’re on to the group’s second mini album Summer Beat. I love … Continue reading
RIIZE are part of a vanguard of fresh fifth-gen acts that are making this year’s K-pop quite exciting. Pre-release Impossible remains a certified mega-banger, while Love 119 just may be 2024’s biggest grower. So far, they’ve managed to keep the quality remarkably high despite traversing various genres. New title track Boom Boom Bass marks the … Continue reading
The Bias List // K-Pop Reviews & Discussion 