Whether with protégés Ryugujo or her own band Queen Bee, I’ve fallen in love with Avu-chan’s songwriting. It’s fierce and cathartic — the perfect vehicle for a vocal that’s often combative and raw. Queen Bee’s music runs the genre gamut, but straight-ahead rock is a particularly satisfying match for the band’s charm. The excellent Violence … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
Ryugujo (龍宮城) are one of a handful of newer J-pop acts with permanent occupancy on my playlist. Year 0, Class 0, the survival series that formed them, remains my favorite TV show of the year and their partnership with Queen Bee’s Avu-chan makes them an exciting new voice in music. 2 MUCH leads their first … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. The second half of summer has … Continue reading
TAN have done a nice job mining the sounds of second-gen K-pop to craft an appealing discography, most notably with debut single Du Du Du. That song (and others) gave me strong Beast flavor, but new single Heartbeat echoes classic SHINee. Or to be more specific, it feels like NCT’s 2019 version of 2013-era SHINee, … Continue reading
The Boyz are releasing their second full album in parts, starting with a collection targeted at bright summer sounds. I’ve been waiting for the group to return to this style for years. 2021’s Thrill Ride had the imagery right, but Lip Gloss nails the sound. I love when K-pop groups don’t take themselves too seriously. … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m still in a haze over … Continue reading
Let me paint a picture for you: In the unlikely event that producers Sweetune are announced as part of a modern-era idol comeback, my entire base of operations goes on red alert. Lights flash, alarms sound and any outside activity freezes as the fist-pumping grandeur of The Chaser pipes through the overhead speakers. Okay, I don’t … Continue reading
I’ve been enjoying the heck out of The Wind’s early-Gfriendcore concept. In my eyes, they’re doing everything right so far. By working with a small, dedicated team of composers, they’ve quickly developed a signature sound characterized by buoyant production and big moments of exuberant catharsis. Last week’s pre-release Summer Vacation has grown into an undeniable … Continue reading
Apologies for the click-bait title. I don’t often use them, but I really wanted to share this track and I wasn’t sure how to do it. I don’t write “Buried Treasures” for J-pop, nor do I feature a countdown dedicated to Japanese b-sides. So, I thought I’d attempt to catch everyone’s interest before writing about … Continue reading
They may not be on everyone’s radar, but from20 and Hello Gloom from The Faker Club are two of 2023’s most consistently solid artists. Their creative partnership is firing on all cylinders, resulting in music and videos that often eclipse the material coming from K-pop’s biggest agencies. Not bad for an indie label founded by … Continue reading
Naniwa Danshi released their second album Popmall this week, and it’s being promoted by two contrasting songs. These tracks represent the duality of the group’s music, and can be best described by this well-known meme: The ebullient Poppin’ Hoppin’ Lovin’ is fun but kind of exhausting. I’m much more drawn to LAI-LA-LA, which feels like … Continue reading
Debuting in 2019, Exile Tribe’s Battle Of Tokyo is one of the coolest projects developed by any entertainment company. It brings together the agency’s Jr.Exile groups under fictional guises in a futuristic battle royale. It’s a multimedia project, including videos, books and — of course — music. This week, the third chapter in the series … Continue reading
I have only a passing familiarity with Tokyo Gegegay (mostly through their collaborations), which caused me to miss the video for Break The Romance (破壊ロマンス) when it was released two weeks ago. But with a new album out this week, I dove into this single and won’t be looking back. I love when a song … Continue reading
Formed through Yoshiki Superstar Project X, XY is more like a performance troupe than a traditional boy group. It’s an insanely ambitious idea: bring together vocalists, dancers, a rock band (and a baton twirler for good measure) and see what you can come up with. The result is absolute magic. I feel similar about XY … Continue reading
Unlike every Johnnys group before them, Travis Japan’s debut year has been characterized by a stream of digital single releases. This is much more in line with Western pop roll-outs, and gives the group a chance to quickly display the various sides to their music. Luckily, Travis Japan’s singles keep getting stronger. Candy Kiss is … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. U-KISS’s fifteenth anniversary album is slavishly … Continue reading
I’m writing about a new U-KISS track in the year 2023! I can hardly believe it, but this year is shaping up to be a gauntlet of long-awaited second-gen comebacks. U-KISS have endured many line-up changes, and this current iteration reunites six fan favorites. And rather than lean into current K-pop trends, the guys have … Continue reading
Though they’re not exactly the same, I like to think of Mrs. GREEN APPLE and Official HIGE DANdism as parallel artists. Both have seen an incredible rise in popularity over the past five years with a rock sound that embraces hearty melodies and cathartic energy. Both have powerful vocalists at their helm. And, both have … Continue reading
The Bias List // K-Pop Reviews & Discussion 