A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. U-KISS’s fifteenth anniversary album is slavishly … Continue reading
I’m writing about a new U-KISS track in the year 2023! I can hardly believe it, but this year is shaping up to be a gauntlet of long-awaited second-gen comebacks. U-KISS have endured many line-up changes, and this current iteration reunites six fan favorites. And rather than lean into current K-pop trends, the guys have … Continue reading
Though they’re not exactly the same, I like to think of Mrs. GREEN APPLE and Official HIGE DANdism as parallel artists. Both have seen an incredible rise in popularity over the past five years with a rock sound that embraces hearty melodies and cathartic energy. Both have powerful vocalists at their helm. And, both have … Continue reading
Sexy Zone’s The Highlight was one of my favorite albums of 2022… in any genre. And, the group knows exactly what they’re doing with its follow-up — aptly titled “Chapter II.” They’ve revisited many of the successful sounds from last year to great success. After just one listen, I’ve already got multiple standouts. This approach … Continue reading
I so appreciate J-pop’s ability (and desire) to surprise. The market is vast and varied, and that means you’ll never really know what you’ll encounter from day to day. Yes, there are plenty of songs that conform to predictable trends, but there are also moments like Red:birthmark, where critical cynicism melts away and you’re left … Continue reading
Well, where did this little treasure come from? There’s a sub-genre of J-pop I like to call “Rock Opera you can dance to.” Johnnys groups like Kis-My-Ft2, KAT-TUN and News have a ton of these songs in their discographies and they tend to be my favorites. The sound isn’t remotely trendy or even cool, but … Continue reading
In my mind, IVE are the most exciting girl group working in K-pop right now. This bore out across 2022, as they blitzed the market with a succession of addicting (and highly successful) singles. While incorporating popular trends, their music aims for the pop jugular in a way few others do. They’re not afraid of … Continue reading
Fantastics’ Panorama Jet first emerged in February and I included it in my “New and Noteworthy J-Pop” round-up back then. But, there’s no way I’m not writing about the song in more detail now that it has an official music video! I love this group too much. Their music never fails to energize and inspire. … Continue reading
I will always respect an artist who refuses to go quietly into the night. With twenty years of music under their belt and many line-up changes over that time, it would be easy for News to settle into a dull, adult contemporary rut of ballads and coffeehouse fare. But in many ways, they feel more … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
I haven’t featured a review of Genic’s music since back in April 2020 when the group debuted with the awesome Sun Comes Up. But over the past few months, I’ve revisited their discography and become a bit of a Genic fanatic. I love a co-ed group, and these self-producing superstars have the chops to back … Continue reading
I love when Johnny’s acts upload full music videos to YouTube! Not only is it an infrequent treat, but it means I can write about the song before the physical version of the single or album is released weeks later. In Snow Man’s case, their upcoming single is scheduled to include two promotional tracks and … Continue reading
The Rampage have been on a winning streak lately, releasing a new single almost every other month. Now, it’s time to gather all those singles into a new album scheduled for release next week. No Gravity acts as its lead track and pulls the group back to the propulsive EDM sounds explored early in their … Continue reading
It’s been a long ninety days since a K-pop song – title track or otherwise – scored a “9” or higher on this blog. That’s a new Bias List record, if you’re wondering! I’ve often joked that 2023 hasn’t actually started yet, but now we can put that critique to rest. Leave it to SHINee’s … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
The dust has hardly settled on my “Top J-Pop songs of 2022” list and we’ve already got a contender for next year’s countdown! Violence arrives courtesy of rock group Queen Bee, who released their first work over a decade ago. I fully intend to explore their back catalog because – if it’s anything like this … Continue reading
Longtime readers of The Bias List will know how stingy I am when it comes to rating songs nine and above. But, there’s plenty of music that qualifies. In fact, I’ve got a playlist of over 600 of them sitting in my iTunes. The vast majority of these are singles or title tracks, but there … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. DRIPPIN’s first full album is very … Continue reading
King & Prince fans are still reeling from last week’s sudden announcement that members Sho Hirano, Yuta Kishi and Yuta Jinguji will be leaving the group (and agency) next year. I’ve seen my fair share of group disbandments and roster changes over the years, but this is one of the most genuinely shocking developments I … Continue reading
The Bias List // K-Pop Reviews & Discussion 