SHINee’s Key has a history of becoming a K-pop savior on this blog, breaking long streaks of “7” and “8” rated songs with music that pushes bolder and further. That certainly occurred in early 2023 with his single Killer, but his follow-ups have been less adventurous. Both Good & Great and Pleasure Shop found him … Continue reading
As if BoA wasn’t busy enough with her album released last week, she’s back with a new Japanese single as well. We have groundbreakers like BoA and Tohoshinki to thank for K-pop’s popularity in Japan, and it’s always nice to see them take another well-deserved victory lap. Good For U may not be a revelatory … Continue reading
It’s always exciting when a new group debuts under a major agency, and CORTIS have a big legacy to live up to. GO! is technically a pre-release, so we can’t call it their official debut yet, but it offers a glimpse of Big Hit’s first new boy group since TXT’s debut in 2019. Information about … Continue reading
In my house, there exists a hallowed “Damdadi” that heralded the arrival of a personal favorite idol group, so there’s no way I’m not instantly imagining baseball uniforms and hip-shaking choreo when I see that title. However, producer R.Tee and i-dle’s Soyeon have also ventured into “Damdadi” territory with this new collaboration. While there’s no … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
It’s been a pretty lousy year for J-pop, but my favorite acts have actually remained pretty reliable. We’ve seen highlights from Ryugujo, Genic and Kis-My-Ft2, and co-ed group One Love One Heart has recently been churning out solid material as well. Best of all, they finally seem eager to draw upon their biggest strength: the … Continue reading
I last wrote about Queenz Eye all the way back in 2023 and can’t remember anything about their music. Such is the fate of too many nugu groups, under-promoted and given infrequent comebacks to the point where everyone but their most dedicated fans forget they exist. With new track Feel The Vibe, they’re back to … Continue reading
In a move that no one asked for, SM Entertainment is back with the second single from their virtual idol nævis. The agency seems intent on throwing money at this strange project, and I assume that’s part of a bigger goal of establishing virtual artists as a norm within the industry. After all, virtual performers … Continue reading
Hyperpop has become a driving force in electronic music, and whenever a trend takes hold you know that K-pop is lurking right around the corner, ready to pounce on it. Yves has gone full bore into the genre with her new album, crafting the kind of quirky soundscapes the internet seems to love even as … Continue reading
Starship Entertainment’s new girl group KiiiKiii debuted earlier this year, grabbing attention with a diverse set of promoted tracks. Their memey Debut Song didn’t work for me and I found follow-ups BTG and Groundwork a little too fitful to last on my playlist, but the generic pop of I Do Me enjoyed surprising longevity. Now, … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Judging from internet rumblings, the overriding … Continue reading
The Boyz hold the distinct honor of releasing one of the best songs of the year and one of the worst. For fans of film award celebrations, that’s like being nominated for an Oscar and a Razzie in the same year. I don’t know if the group themselves realize this, but they’ve dropped a follow-up … Continue reading
Across their past few comebacks, EVNNE have carved out an upbeat pop/rock sound. This genre may not be unique among boy groups, but they pull it off well. However, it does make me wonder how fans of their debut era feel, as this is quite a change in style from club bangers like Trouble. New … Continue reading
Throughout her historic career, BoA has tried her hand at just about any K-pop sub-genre you could imagine. Having started in the industry so young, she still feels like a contemporary to many of this era’s groups despite being one of K-pop’s most respected elder stateswomen. New title track Crazier is her first in over … Continue reading
TXT’s new (full) album weighs in at eight tracks and a paltry twenty-one minutes. This brevity isn’t unique to TXT and I don’t mean to call them out specifically, but it’s representative of choices the K-pop industry is currently making. So much effort seems to go into everything surrounding the music, even as the actual … Continue reading
TXT’s new (full) album weighs in at eight tracks and a paltry twenty-one minutes. This brevity isn’t unique to TXT and I don’t mean to call them out specifically, but it’s representative of choices the K-pop industry is currently making. So much effort seems to go into everything surrounding the music, even as the actual … Continue reading
Say My Name debuted last year as the first idol group on Kim Jaejoong’s agency iNKODE. That debut didn’t do anything for me, but their follow-up ShaLala showed promise. Now, it’s time for them to take on a summer concept with new single iLy, which ambitiously interpolates Frankie Valli’s iconic 1967 classic Can’t Take My … Continue reading
I really enjoy Close Your Eyes’ recent title track Snowy Summer, but when I think about it the song is probably my least favorite on their new mini album. I already wrote about b-side You, knowing full well that album opener Paint Candy would eventually be promoted as a double title track. Now, it’s been … Continue reading
TXT’s new (full) album weighs in at eight tracks and a paltry twenty-one minutes. This brevity isn’t unique to TXT and I don’t mean to call them out specifically, but it’s representative of choices the K-pop industry is currently making. So much effort seems to go into everything surrounding the music, even as the actual … Continue reading
Ahead of his new album, iKON’s Jay (aka: Jinhwan) pre-released We Can’t Explain last week. That song didn’t do much for me, but title track Obey promised edgier sounds. Obey certainly has some ideas, but the way they’re executed isn’t very satisfying. The track starts promisingly enough, establishing a moody build toward an anticipated payoff. … Continue reading
The Bias List // K-Pop Reviews & Discussion 