Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. When I see the title “I-Yah,” I instantly think of Boyfriend’s … Continue reading
Cosmic Girls (WJSN) debuted with a pretty airtight sound, melding the trends of the day with a spacey, synth-filled style in keeping with their group name. Over the past two years, they’ve briefly dipped into muddle waters, with last year’s Twice-esque Happy being the most jarring detour. But with Save Me, Save You (부탁해), they’ve … Continue reading
Earlier this year, Pepsi brought together a quartet of Produce 101 alumni for the addictive 80’s pastiche Love It Live It. This unit (YDPP) proved to be more fun than they had any right to be, so it only makes sense to repeat the project. This time, it’s the girls’ turn. WJMK drafts Seola and … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2018 Overall Thoughts When it comes to k-pop, I was dreading February. Between the Pyeongchang … Continue reading
Cosmic Girls are at their best when they highlight the “cosmic” part of their name. Last summer’s Happy was a fun, peppy diversion, but tried to emulate too many other girl groups and came off as overly derivative. 2016’s Secret established the perfect signature sound for the group, and became one of that year’s biggest … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Glory Face … Continue reading
Last year, I marked the halfway point of 2016 by looking at some tracks that had either grown better or worse with time. This year, I’m a little late — but better late than never! As with 2016, the vast majority of my reviews still reflect my thoughts about a song, but sometimes it’s impossible … Continue reading
