Of all the BTS solo efforts, Jungkook’s music has connected most with me. Both Seven and 3D (minus Jack Harlow’s awful verse) have had unexpected staying power and I appreciate how they wear their influences on their sleeve. Both those songs hearkened back to early-2000’s sounds, but title track Standing Next To You mines earlier … Continue reading
I’ll always root for a super-nugu group with an inscrutable name, and eite fits the bill. Debuting today, I know next to nothing about them beyond the fact that they’ve already surpassed expectations with their music. Independent Woman isn’t quite as spectacular as it could be, but it’s stronger than most efforts from their big-budget, … Continue reading
Thus far, VIVIZ’s career has been equal parts promising and frustrating. They have no obligation to continue the style of their former group GFriend, but it’s regrettable to see them tackling songs that feel smoothed of their individuality. As solid as their work has been, I can’t put my finger on what makes VIVIZ unique. … Continue reading
In a K-pop year that’s been less than stellar, Golden Child arrive like a deus ex machina just weeks before we turn the page to 2024. It’s been an agonizing fifteen month wait for new music, but no other group of their generation has such a solid batting average on this blog. Since their debut, … Continue reading
Earlier this year, NINE.i released one of my biggest summer standouts. A large chunk of New Mind‘s success was thanks to the Sweetune-produced magic of its title track Turn It Off, but the entire album was pop excellence. As always, this made me very eager for a follow-up. Luckily, the guys are happy to deliver … Continue reading
Epik High have a long history of notable collaborations, and many of their enduring classics feature vocals from some of K-pop’s most loved artists. But even with this in mind, I would’ve never expected them to pair with Seventeen’s Hoshi. When I see his name, I immediately picture exciting choreography. However, he proves an adept … Continue reading
After a long hiatus and drastic concept change, Weeekly returned this September with special fan single Good Day. I enjoyed that song’s upbeat energy, though it didn’t grow into the enduring standout I hoped it would. But with new album ColoRise, the girls have returned to a lighter concept and brought glistening pop melody with … Continue reading
WayV’s first full album released all the way back in 2020, leaving fans with infrequent comebacks prior to their new full-length On My Youth. The guys have remained busy appearing on NCT albums and performing at this year’s KCON LA. But now, they’re back with a track that blends old and new to great success. … Continue reading
Awkward band name aside, I want so badly to love this debut song. I’ll always be down for an anthemic synth-rocker with three exclamation points in its title. Add a keytar to the mix, weave in an electric guitar solo or two, and I’m sold. K-pop has a vacancy for cheesy 80’s power pop-rock and … Continue reading
Two things immediately caught my attention about Heejin’s Algorithm. First, a pre-release article mentioned the song taking influence from such 80’s luminaries as Madonna, Cyndi Lauper and (yes, my queen of all pop queens) Janet Jackson. Second, the track is co-written by Yi Saebom, who gave us this incredible 80’s pastiche in 2020. Most fans … Continue reading
The success of BTS’s Dynamite continues to cast a long shadow as more and more boy groups try their hand at upbeat “everyone get out of your seats and dance!” type of Disney musical songs. It’s hard to get these exactly right, striking the balance between enjoyable cheese and corporate schlock. Most of these recent … Continue reading
Ex-B.A.P member Moon Jongup debuted as a soloist in 2020 with the addictive Headache, but it’s been a couple of years since we’ve heard from him. The long wait pays off with the release of a new mini album heralded by title track X.O.X. We’ve heard iterations of this song before. Take one slinky bassline, … Continue reading
There’s a long history of K-pop groups debuting in Japan, but the opposite rarely happens. I expect this to change as a new generation of Japanese groups formed and managed by Korean companies make their mark on the industry. NiziU are a JYP act and have been doing quite well for themselves in Japan and … Continue reading
Seeing Taemin at this year’s KCON reconfirmed his utter dominance as a performer. I’ve been lucky enough to watch him with SHINee a couple of times, but few artists can command a stage so completely on their own. He deserves all the hype he gets. With that said, I feel his music is beginning to … Continue reading
Riize’s Get A Guitar has proven to be a huge sleeper hit for me, alongside their very solid pre-debut track Memories. This one-two punch shot anticipation sky high for their follow-up, so when I saw the silly punnery of “Talk Saxy” coupled with the tease of an irritating Jason Derulo style sax loop, I couldn’t … Continue reading
Early visual teasers of LE SSERAFIM’s special Overwatch 2 single Perfect Night had me excited. Their 80’s aesthetic seemed to portend a concept change — maybe a successor to fellow retro girl group tracks La Di Da or I Can’t Stop Me? I mean, isn’t it time the HYBE girls turned up the synths and … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m about to contradict myself… In … Continue reading
It feels like ages since we last heard from GHOST9. After a very promising 2020 debut, the group has swerved from sound to sound — some more successful than others. But after an appearance on this spring’s Peak Time, the guys are back with a new album. Title track Ruckus is yet another transformation for … Continue reading
Jessi can always be counted on for a fun, colorful rap track — no matter the agency she’s signed with. Gum is her first work since leaving P Nation and signing with Jay Park’s More Vision, but you’d never know it from listening to the track. Gum is everything you’d expect from Jessi: energetic, a … Continue reading
The idea of a K-pop debut gets more muddled by the year, with pre-releases and pre-debut tracks quite common these days. G.O.A.T doesn’t even bill itself as a proper music video, though it’s the first full taste of upcoming group ONE PACT. These guys have a lot of goodwill behind them, with every member participating … Continue reading
The Bias List // K-Pop Reviews & Discussion 