K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Boy group Spectrum debuted in 2018, and have struggled to find an audience despite consistently releasing solid material. Up to this point, their singles have been composed by production team Code 9, who have giving them an identifiable sound. New track Showtime switches up producers (and lowers the budget, if its music video is any … Continue reading
Musically, boy group Spectrum had a pretty solid 2018. Their sound borrowed heavily from current trends, but by sticking with production team Code 9, their burgeoning discography felt cohesive. It’s a shame, then, that they’re still largely unknown by K-pop fans. Such is the struggle for rookie groups from small agencies. Without the benefit of … Continue reading
Unlike the past few years, no rookie really caught my attention in 2018. There were a few high-profile debuts, but most new acts came from very small agencies. Instead, this was a year where 2017’s rookies really got a chance to shine. In many ways, 2018 felt like the year of the project group — … Continue reading
2018 has seen its share of trends, but the saddest has been groups having to make a comeback after the death of a member. First it was SHINee, then 100%, and now Spectrum. Only one single album into their career, Spectrum suddenly lost member Kim Dong Yoon. I can’t imagine how this would affect a … Continue reading
The Bias List // K-Pop Reviews & Discussion 