After hitting us with two uptempo Korean comebacks, sub-unit Double S 301 returns yet again with a softer sound suited to the winter months. New single Remove is notable for the fact that it was co-composed by member Heo Young-Saeng, who has previously done some excellent work on his own with producers Sweetune. As a song, … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
Now that Double S 301 have gotten their big Korean and Japanese comebacks out of the way, they’re free to release something a little looser and a lot more fun. Ah Ha (아하) arrives on the 11th anniversary of their parent group, SS501, and thankfully is not some drippy ballad. In fact, it’s the best … Continue reading
As part of their big 2016 comeback, the members of SS501 sub-unit Double S 301 have recently released a Japanese mini album. Its title track is the sorrowful Fraction, which takes a more dramatic, ballad-with-a-beat approach compared to their earlier Korean comeback. I tend to cut English phrases in kpop or jpop a tremendous amount of … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition, too. In the singles-oriented world of kpop, I want to spotlight some of these buried treasures and give them the props they deserve. Though SS301 released shortened promo videos for every track off their … Continue reading
Legendary boy group SS501 is back in the form of its sub-unit, SS301, which consists of members Heo Young Saeng, Kyu Jong, and Hyung Jun. Among groups of their age, I feel like SS501 often doesn’t get the credit they deserve from newer fans for writing much of the kpop template that younger groups still adhere … Continue reading
