After four years of steadily-increasing success, WJSN (Cosmic Girls) have unveiled their first sub-unit. The ridiculously-titled Chocome consists of members Soobin, Luda, Yeoreum and Dayoung, and promises a quirkier concept than the group’s usual space-and-fantasy themed material. As with all sub-units, the quality of Hmph (흥칫뿡) could go either way. Thankfully, the girls fully commit … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! June … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! May … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Too many modern K-pop albums feel cobbled together by committee. I … Continue reading
Buoyed by several members’ Produce X 101 popularity, CRAVITY debuted earlier this year to much commercial success. Their fan base is already strong. Now, they’ve just got to figure out which direction to take their music. So far, they’ve presented us with two contrasting concepts: the Monsta X-lite Break All The Rules and the flower … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! January … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2020 Overall Thoughts For the first time in months, I feel pretty good about where … Continue reading
Though her voice was a vital part of Sistar’s appeal, I’ve always felt that Soyou was underrated as a performer. It doesn’t help that most of her solo work has been relatively subdued, coasting more on mood than dynamic songwriting. New single Gotta Go (가라고) makes a drastic genre shift, challenging her with attitude-driven, percussive … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! November … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
After looking at the year’s best singles (so far), it’s time to turn attention to 2020’s albums. I’ll reiterate what I said yesterday: relative to previous years, it’s been slim pickings. Consistently good mini albums have been particularly hard to find this year, at least in my opinion. But even though the overall picture may … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2020 Overall Thoughts This may not seem like much within the context of 2020’s continual … Continue reading
I nearly selected CRAVITY’s Cloud 9 as a “buried treasure” back when it was first released in April. I’m glad I didn’t, because now it’s been chosen as a summer follow-up single. And while the track isn’t anything revolutionary, its bright, upbeat sound is a welcome salve for all of the edgy, moody boy group … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! June … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I think that Cosmic Girls’ Neverland is my favorite girl group … Continue reading
Since their 2016 debut, Cosmic Girls have gone a long way towards established a signature sound. Much of this has been possible by keeping their stable of songwriters tight. I think this is important for an idol group, as it fosters a sense of incremental growth without jarring transitions in style. New single Butterfly continues … Continue reading
As the K-pop market has become more flooded with acts, it’s not unusual to see days with multiple comebacks. Usually, these are a grab bag of varying quality, but every once in awhile you’ll get a day that unveils multiple classics at once. This feature is dedicated to those epic days – days in which … Continue reading
