In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
Stray Kids released two songs from their upcoming album last month, but neither of these was promoted with a music video. Title track Giant arrives as the album’s first big push right as the full project is unveiled. Fans of the group’s more disruptive side will find plenty to enjoy, as the song rumbles with … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2024 Overall Thoughts After a stellar June, July was always going to have a hard … Continue reading
I don’t always write about Stray Kids’ follow-up singles because they tend to release so many music videos for songs that otherwise go un-promoted. However, this is very slow period for K-pop due to the Paris Olympics pre-empting music shows, so I might as well make an exception for Mountains. Mountains opens the group’s newest album … Continue reading
Stray Kids seem poised to dominate the second half of July with the release of new album Ate alongside a track on the sure-to-be-blockbuster Deadpool & Wolverine movie. That corporate synergy even extends to the music video for title track Chk Chk Boom. Of K-pop’s many global successes, Stray Kids are at the tip top … Continue reading
Somehow, Charlie Puth has become a go-to K-pop collaborator. He romped around with BTS’s Jungkook in 2022 and now he’s coaxed Stray Kids out of their typical hard-hitting style to craft something slinkier and understated. I enjoyed most of Charlie Puth’s 2018 album Voicenotes, but he’s also written a fair amount of songs that are … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
The JYP family has joined forces for a song advertising Coca-Cola because… why not? Patriarch J.Y. Park has written a real Frankenstein of a track that somehow fails to utilize any of the artists’ skills while digital artists work overtime to jarringly place them within expensive, virtual reality landscapes. None of this makes me thirsty … Continue reading
Every year at this time, I like to look back at which of my posts received the most views. If nothing else, it’s a good gauge of artist popularity. I know there are readers who take a look at everything I post, but there are also a lot of people who come to the blog … Continue reading
Before the end-of-year countdowns next month, I like to take a look at many of K-pop’s biggest agencies and see how their year went. Obviously, 2023 is not over yet so any upcoming changes to an agency’s grade will be reflected next year. Following SM Entertainment and YG Entertainment‘s analysis last week, it’s time to … Continue reading
Despite being an early supporter, somewhere along the line Stray Kids’ music began to lose me. It’s a frustration I feel with many of their contemporaries and I’m eagerly awaiting the song or album that brings me back. Unfortunately, new single Lalalala moves in the opposite direction. Lalalala blusters along in true Stray Kids fashion, … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Most Japanese releases from K-pop acts don’t really attempt to engage with the Japanese market beyond a surface level, making it exciting when we get an international duet or track written by J-pop talent. Stray Kids’ Social Path pairs the group with theme-song-queen and overall epic rocker LiSA. Social Path feels like a nod back … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2023 Overall Thoughts In the coming days, I’ll be sharing my top picks from the … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
There are times when you admire something even if you don’t necessarily like it. Stray Kids’ new single S-Class (특) has those qualities. I admire its chutzpah, and I admire the group’s willingness to experiment with sound and structure. This seems to be their answer to JYP Entertainment’s “mixx-pop” endeavor — basically cramming an entire … Continue reading
When it comes to Korea and Japan, the difference between release scheduling presents an interesting dilemma for reviewers like myself. With K-pop, I’m usually writing about a song mere hours after it debuted, but J-pop’s extended cycle often allows more time for a track to settle in. There can be weeks — even months — … Continue reading
The Bias List // K-Pop Reviews & Discussion 