One of the unique features of The Bias List is its “buried treasure” write-ups. I try my hardest to comb through every major K-pop album released each year and when a song catches my ear I highlight it on the blog. This countdown is an encapsulation of those write-ups, ranking my top 40 b-sides and … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
MAMA used to be such a big deal in K-pop, but I’m embarrassed to say I didn’t even know when it was happening this year! The hype definitely seemed underwhelming. So rather than slog through the entire show and its meaningless awards, I hopped on YouTube and watched the performances. Here are the three that … Continue reading
Before the end-of-year countdowns next month, I like to take a look at many of K-pop’s biggest agencies and see how their year went. Obviously, 2023 is not over yet so any upcoming changes to an agency’s grade will be reflected next year. Following SM Entertainment, YG Entertainment and JYP Entertainment‘s analysis, it’s time for … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2023 Overall Thoughts Though it boasted a more exciting line-up of big-name comebacks, October felt … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TXT’s new album has exactly two … Continue reading
TXT continue to push into global markets, building upon their winter smash Sugar Rush Ride with English and Spanish language collaborations featuring Jonas Brothers and Anitta. Both tracks are present on their new album (minus Anitta), offering a taste of different genres. Meanwhile, new single Chasing The Feeling is the latest in a long line … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2023 Overall Thoughts After a very strong August, it felt like we entered the K-pop … Continue reading
As global K-pop collaborations become more frequent, the pairing of talents matters more and more. Which artists can compliment each other and tease out new dynamics? When it comes to TXT, I found their pairing with Jonas Brothers quite cloying. In that case, the song highlighted a milquetoast, kid’s movie soundtrack vibe that some of … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
The annual Bias List Legendary Songs Inauguration Ceremony has returned! Yes, I’m a few months late on this, but it’s been a busy year of new releases and I was waiting for an empty day to compose this feature. It’s exceedingly rare for me to award any song a 10-out-of-10 rating on release day. Instead, … Continue reading
If I had a time machine, I’d go back to 2016 and tell myself that – in seven years – I’d be writing the words “& Jonas Brothers” in the title of a blog post on The Bias List. It’s been quite a journey, my friends. Who would have ever thought we’d end up here? … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2023 Overall Thoughts For the second month in a row, I couldn’t really find any … Continue reading
Despite climbing to some of the highest highs in recent years, TXT’s title tracks tend to be hit or miss with me. They’ll release something utterly brilliant like Crown or Run Away or 0X1=LOVESONG, only to follow it with a single that hits many of my musical pet peeves (I’m side-eying you, Can’t You See … Continue reading
I spend the whole year plucking “buried treasures” from K-pop’s vast slate of albums, and now it’s time for those b-sides to have their own countdown! As usual, some of 2022’s strongest music was never promoted with a glossy video or music show blitz. Over the next two days, I’ll be counting down my forty … Continue reading
To be honest, you may or may not see recaps for future end-of-year festivals this December. I’d like to write about all three big nights if possible, but over the past few years these events have become so boring and predictable. Basically, acts emerge with some dramatic intro (swords, pyrotechnics, flags, etc) before performing a … Continue reading
The Bias List // K-Pop Reviews & Discussion 